Virtual Exhibition- Flora and Fauna

Paloma Ripollés doesn’t paint what she sees she paints what moves through her. Years of training gave her precision, but it’s her instinct that gives the work life. Using a spatula instead of a brush, she builds color in layers that feel like they’re vibrating, shifting, breathing. She never uses black, choosing instead to create depth through living colour. The result is work that doesn’t just sit on the surface it exists in a state of movement, where emotion, memory, and perception merge. What you see isn’t just a place or…

Elizabeth Bessant’s work carries the weight of time lived outside the studio. After stepping away from fine art for 28 years to raise her son and build a career in couture, she returned with a language shaped by layering, fabric, and careful construction. Her mixed-media pieces weave together printmaking, fashion, and painting, where birds appear not as subjects but as quiet witnesses to domestic life. Familiar yet overlooked, they hold traces of memory, longing, and presence. Her work is not about starting over it’s about returning with everything you’ve gathered along…

Nadja Eleonora Milsten’s work sits in the space between doubt and trust. Her watercolor figures feel present but unfinished, shaped as much by emotion as by restraint. Some of her strongest paintings are the ones she almost abandoned—set aside for months until time changed how she saw them. Moving from oils to watercolor during a turning point in her life, she stopped painting for expectation and began painting from instinct. Her practice isn’t about certainty. It’s about letting doubt exist, stepping away when needed, and trusting that what doesn’t make sense…