Virtual Exhibition - Portraits
Open to Women Artists
Ends On 7th July, 2026
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Jun
11
Why Karen Gemming uses limited colour palettes in her serene watercolour landscapes
Karen Gemming creates atmospheric watercolour landscapes that balance observation, memory, and intuition, transforming coastlines, rivers, mountains, and open wilderness into deeply calming emotional experiences. Having lived between New Zealand and Australia, her work reflects the influence of both places, from New Zealand’s rugged coastlines and lush green landscapes to the distinctive colours, heat, and light of Queensland. Alongside her representational paintings, Karen’s Dreamscape series allows water, pigment, and instinct to guide the process, creating works that feel both familiar and imagined. Working with carefully limited colour palettes, she builds paintings that…
Jun
09
This artist combines coral shapes, sea anemones & feminine energy in textile art │ Tine Rosa Ebdrup
Tine Rosa Ebdrup creates vibrant textile sculptures that merge coral-like forms, feminine symbolism, recycled materials, and intuitive making into deeply personal works about identity, fertility, vulnerability, and women’s power. Trained in fashion and textile design at Design School Kolding in Denmark, she returned to knitting during the pandemic and unexpectedly discovered an entirely new artistic language rooted in softness, bodily experience, and feminist reflection. Using recycled bedsheets, women’s clothing, tablecloths, yarn, and glitter thread, she transforms everyday domestic materials into organic sculptural forms inspired by female anatomy, sea anemones, corals, egg…
Jun
06
Sepideh Shahgholi uses wire & organic materials to create wearable art
Sepideh Shahgholi creates deeply personal paintings and wearable sculptures shaped by memory, identity, migration, and emotional connection to place. Moving fluidly between abstract landscapes, layered mark-making, organic forms, and intricate sculptural headpieces made from wire and natural materials, her work explores how emotions and memories live within the body long after places are left behind. Rather than beginning with fixed images, her paintings emerge intuitively through feelings, smells, colours, and fragments of lived experience that slowly surface onto the canvas through layered marks and washes. Alongside her paintings, Sepideh’s wearable sculptures…
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