Virtual Exhibition- Spring Through My Eyes

Faye Johansen’s practice begins with attention to nature, to material, and to the quiet traces things leave behind. Working across watercolour, collage, and handmade journals, she builds surfaces that carry both process and place. At the centre of her work is a powerful series of one hundred charcoal portraits of Indigenous children, drawn onto discarded books layered with torn maps, music notation, and fragments of text. Each material holds meaning, speaking to displacement, memory, and loss, while charcoal allows the faces to remain both present and fragile. Alongside this, her journals…

Heidi Weiss creates paintings that sit between memory and interruption, drawing from paused television stills and transforming them into fragmented, emotionally charged compositions. Cropping, distortion, and layered oil surfaces allow her to withhold information, leaving viewers inside unresolved moments that feel both familiar and distant. Influenced by her background in painting and fiber art, her process embraces repetition, slowness, and accumulation, building surfaces that echo the instability of memory itself. Rather than telling complete stories, her work focuses on what lingers, the quiet tension, the partial view, the feeling that something…

Jennifer Morgan transforms soft materials into strikingly lifelike portraits, using wool, beads, and hand-blended fibers to build depth and emotion without paint. Her process is slow and intentional, allowing texture to carry the story through layered surfaces that feel both delicate and powerful. Each piece captures subtle expressions and quiet emotional weight, inviting viewers to look closer and connect more deeply. By blurring the line between textile and fine art, her work challenges how portraiture is traditionally understood, proving that even the softest mediums can hold presence, intensity, and lasting impact.