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Earth, Espiritu, Bones, and Blood.
Earth, Espiritu, Bones, and Blood.
Luna Jay Yvelisse is a multidisciplinary artist and storyteller, whose creations are steeped in ancestral memory, sacred rebellion, & feminine power. She is a painter, illustrator, digital & a mixed media collage artist.
She channels & celebrates Earth, Espíritu, Bones, & Blood to honor her Indigenous & Black roots. Her work is a visual invocation—a prayer, a scream, & a song that centers femme divinity, resistance, & the sacred mundane.
Through visual storytelling & ritual-infused composition, Luna legitimizes the rage of survivors, & those navigating womanhood, motherhood, & bodily autonomy in the aftermath of violence. Her work confronts misogyny, sexual violence, domestic & intimate partner violence, weaving feminine rage with ancestral reverence to bear witness & demand justice.
Luna’s work is both a sanctuary and a weapon—where healing & resistance coexist. Each piece is a reclamation: of body, voice, divinity, & future.
“Sometimes people try to destroy you, precisely because they recognize your power — not because they don’t see it, but because they see it and they don’t want it to exist.”— bell hooks
Boricua is the archive of Caribbean American girlhood, resistance, and survival. This collection explores the complexities of Nuyorican and Puerto Rican identity through a lens of memory, migration, and matriarchy. Each piece is a declaration of body, spirit, and homeland—honoring the resilience of Boricua femmes across time and geography. Infused with symbolism from Afro-Indigenous Caribbean spirituality, el barrio, and ancestral power, the works reflect lived realities shaped by colonization, diaspora, and cultural pride. Through bold linework, sacred adornment, and visual storytelling, This body of work celebrates the sacred in everyday life, the beauty in resistance, and the power of remembrance. To be continued...
This collection is a sacred visual altar to Goddesses from Arawak (Indigenous Caribbean), Yoruba (West African) cultures and Biblical traditions—three sacred cultural lineages carried by Afro-Indigenous women through blood, spirit, and resistance. In Yoruba tradition, we honor Yemaya, Oshun, and Oya—Orishas, divine forces of nature venerated in traditions such as Santería, Ifá, Lukumi, and Candomblé. They are part of the Seven African Powers, called upon for protection, resistance, resilience, love, fertility, and transformation. Yemaya, mother of all, mother of oceans and nurturer of life. Oshun, mother of rivers, love, sensuality, and fertility. Oya, mother of storms, wind, and the gateway between death and rebirth. In Arawak tradition, we honor Diosa Luna, the moon goddess. She emerges from a sacred cave in the territory of Cacique Mautiatibuel (Child of Dawn) and returns with the moonrise. More than a celestial being, Diosa Luna was believed to have the power to bless women with pregnancy. Caves were sacred spaces—seen as portals between worlds, and as sources of life, emergence, and feminine power. In Biblical tradition, we reclaim Eve and Lilith, two women whose stories have been reshaped and suppressed by patriarchy. Eve, the first woman in the Book of Genesis, often blamed for the fall of man, is reframed here as a life-giver—a bearer of wisdom, growth, and transformation. The act of her eating from the forbidden tree is controversial and means different things across cultures. Lilith, from ancient Jewish mysticism and folklore, is said to be Adam’s first wife who refused to submit to him and was cast out for demanding equality. Over time, she was demonized as a seductress, yet she remains a symbol of rebellion, autonomy, and feminine sovereignty. Together, Eve and Lilith speak to the duality of the sacred feminine—creation and refusal, softness and fire, womanhood and independence. They remind us that Biblical womanhood was never one-dimensional—it was revolutionary. These goddesses are not myths or metaphors. They are spirit, breath, memory, and living presence. This is how we honor them. This is how we remember ourselves.
Woman Are God is a reminder that the body is sacred—even when scarred, stretched, soft, or defiant. This collection was born from two years of pause, grief, and reflection. What you see here is not just art—it’s a symbolic offering and a refusal to let the sacredness of femme embodiment be forgotten, silenced, or erased. Each piece in this series represents a goddess that is inspired by planetary forces, elemental power, and astrological archetypes. These figures are not created for male gaze. They are not objects. They are created for liberation. They honor women not as ideals, but as they are: complex, complete, and unapologetically divine in their emotional depth, body diversity, and spiritual force. Woman Are God centers the themes of bodily autonomy, emotional expression, and self-determined beauty. It challenges the idea that women’s bodies exist to be conquered and are for consumption. A woman's body is not a battlefield. It is a cosmos. A living altar. A source of wisdom. Luna invites you to witness, to reflect, and to release. May you see yourself in the curves, in the elements, and in the stillness. May you remember that you, too, are made of stars—and that holiness lives in your body.
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