Members Interview

Do you want your art to be celebrated worldwide? The Women in Arts Network is now accepting submissions for Artist of the Month – September 2025. Share your story, showcase your creativity, and let your work inspire audiences, curators, and collectors across the globe. This is your moment—step into the spotlight and let your art be seen.

Every artist wants their work to be noticed, but here’s a secret: people don’t just remember individual pieces, they remember stories. Think about the last time a movie or a comic really stuck with you. It wasn’t just the characters or visuals, it was how the story unfolded. Your portfolio can do the same thing. Instead of just showing a series of disconnected works, a narrative sequence guides your audience through your creative journey. A portfolio that tells a story gives context to your art. Imagine someone browsing images online without…

In this interview for the Women in Arts Network, Zaccheo Zhang talks about the role of materials in shaping her photography, the influence of her childhood in China, and why experimentation continues to guide her. She also shares how she balances the pace of fashion with the solitude of fine art, and why she welcomes uncertainty in the future of photography.

Every artist has little things that mean a lot, maybe it’s a childhood toy, a pattern you loved in your grandmother’s kitchen, or a recurring motif you notice in dreams. These small, personal symbols carry stories that only you fully understand, and they can become powerful tools in your art. When someone else sees them, even if they don’t grasp every layer, they feel a connection, like a secret handshake. Think about a painting that features a little paper boat. To you, it might be a memory of a rainy afternoon,…

If you have ever sat staring at a blank invoice, second-guessing every number you typed, you are not alone. Pricing your art feels scary because it forces you to put a number on something deeply personal. Unlike selling a shirt or a coffee mug, your art carries your time, your ideas, and a piece of your identity. That makes the process of deciding “what it’s worth” feel almost like deciding “what you’re worth.” It is a heavy emotional lift, which is why many artists either avoid it or undercut themselves. But…

When you hear the phrase “artist bio,” it might sound like one of those formal, box-checking tasks that galleries or websites make you submit. But in reality, your bio is often the very first doorway through which people encounter your art. Before someone dives into your portfolio or takes the time to stand in front of your work, they usually glance at the words you’ve written about yourself. This small paragraph can either intrigue them or make them scroll past. That is why treating it as an afterthought sells your work…

In this interview for the Women in Arts network, Tom Fima talks about moving away from self-portraits and finding a new direction through painting the women in her life. She shares how The Doll House series became a stage for exploring the female gaze, the tension of play and control, and the roles women are expected to perform both in art and beyond.

We’re in the final week of applications! Our virtual exhibition offers artists a platform to present their work to a broad audience, with participation completely free of charge. For those who wish to gain even more exposure and recognition, the optional artist interview is available for just $12. Take this chance to highlight both your art and your journeyapply today before applications close.

Have you ever scrolled through dozens of artist portfolios and noticed how quickly they start blending together? It is like walking into a gallery where every painting is hung in identical frames under the same lighting, leaving you with little memory of what stood out. Your portfolio, whether online or physical, should never fall into that trap. The truth is, if your work is going to resonate with someone, it has to feel like you, not like a safer version of trends you think people want to see. Collectors and curators…

Every artist who experiments across mediums eventually asks the same question: Will people think I’m all over the place? You might paint, sculpt, and dabble in digital art, and while that feels exciting to you, it can spark worry about how others will interpret it. The truth is, the fear of looking scattered is common, and it usually comes from the pressure to present yourself as “marketable” in a neat box. However, creativity doesn’t always fit neatly into boxes. Instead of treating variety as a weakness, consider it a strength waiting…