Members Interview
Remember that feeling when you’re standing on the edge of something vast, sea, cliff, sky, and for a moment nothing else matters? That’s the world that Caspar David Friedrich often invites us into. Born in 1774 in northern Germany, Friedrich became one of the key figures of the German Romantic movement.What he did differently was simple yet profound: he stopped treating landscapes as just backdrops and made them the main subject. Mountains, mist, sea, these were not just places, they were experiences. His paintings were slower than many modern works, built…
We chose the theme “Faces” to celebrate visibility, vulnerability, and connection. This exhibition is a call to artists everywhere to bring faces to life not just as images, but as reflections of emotion, identity, and the shared human experience.
Out of sight doesn’t mean out of story. The moment your artwork leaves your studio, its journey doesn’t end , it simply changes hands. Yet most artists stop thinking about a piece the minute it’s sold, as if its value or relevance disappears with the transaction. In truth, that’s when an entirely new chapter begins, one that can quietly influence your career in ways you might not realize. Tracking where your art goes and who owns it isn’t just record-keeping, it’s reputation-building. Every artwork that finds a new home adds a…
In this interview, London-based artist Nazanin Moradi talks about how movement guides everything she makes. She shares her path from early painting classes in Iran to a practice that weaves together oil painting, digital work, and performance. Her process is about flow, patience, and finding meaning in change.
The gender gap is real. You’re not overthinking it. If you’ve ever looked around at an exhibition lineup or flipped through an art fair catalog and quietly wondered why there are still so few women, your instinct was right. The numbers back it up, and they’ve been doing so for years. But understanding how to read those numbers is where things start to get really interesting. Art market reports love clean charts and polished graphs, but behind those visuals are messy truths. They show that for every celebrated female artist, there…
You know the saying, “Failing to plan is planning to fail”? That could not be truer for your studio updates. Without a clear plan, posts, emails, and social media updates become scattered, reactive, and easily forgotten. Your audience might miss your work, your sales announcements, or your creative milestones simply because they never know when to expect them. An editorial calendar is like a roadmap for your studio. It gives structure to your updates, ensuring that every message lands at the right time and with the right impact. It transforms random…
They say your work should speak for itself, but in reality, the words that accompany it often decide who actually listens. The exhibition text, that small paragraph on the wall, the label beside your piece, or the short description on a gallery website, carries far more weight than most artists imagine. It doesn’t just explain your work, it shapes how people approach it. Before a viewer has even looked long enough to feel something, those few lines have already told them how to see. Think about it, two artists might create…
In this studio visit, Carola welcomes us into her bright upstairs space in Frankfurt am Main. She talks about how she creates her paintings, the role music plays in her process, and the comfort she finds in the rhythm of her work. Surrounded by light, color, and the quiet presence of her cat Max, Carola shares how her studio has become a place where movement and stillness meet.
Take a look at the powerful Faces submissions that are coming in from artists worldwide. Through portraits, abstract forms, and expressive interpretations, these works reveal vulnerability, strength, culture, and connection showing that every face carries a story worth seeing.
You know that feeling when you split a bill with friends and somehow end up paying way more than what you ordered? That’s how a lot of artists feel when they first see a gallery’s commission rate. Fifty percent , sometimes more , can sound like daylight robbery when you’re the one who spent months creating the work. But that number isn’t random, and understanding where it comes from changes everything about how you approach it. Gallery commissions are less about greed and more about systems. Rent, staff, marketing, shipping, openings…