Lorena Casanova’s hyper-realistic charcoal portraits prove that black and white can hold as much emotion as color. Through subtle gestures, light, and shadow, she captures the quiet intensity of the
Kathleen Warren’s encaustic works layer wax over photography, building and scraping surfaces that mirror memory itself. Through patience, intuition, and time, her paintings reveal stories that emerge slowly, inviting viewers
Adi Zur’s layered mixed media paintings combine oil, text, and collage to create surfaces that hold hidden histories beneath them. Inspired by archaeology and philosophy, her work invites viewers to
Margo Nacai’s abstract expressionist paintings challenge traditional portraiture by presenting fragmented faces, gestures, and forms that mirror the complexity of human identity. Through colour, broken lines, and emotional space, her
Cristina Jantic creates quiet digital portraits in walnut, sepia, and vintage grey tones that invite viewers to slow down and feel what women often carry silently. Her work blends handwritten
Maryna Tsoneva grew up in Soviet Ukraine surrounded by grey streets and scarcity, but one art book changed everything. Today she paints portraits in oil that don’t just resemble people,
Marika Junikajtes returned to painting after a deeply personal loss in 2024, discovering that paint could hold what words could not. Through layered blacks, fluid pours, and precise brushwork, her
Mahony Maia Kiely creates women’s faces directly in red desert sand, casting them in plaster before the wind erases them. Rooted in decades of working with land, community, and story,
Selected for our Faces exhibition, Michele Rogers works with repurposed barn wood, scrap metal, and unpredictable materials she refuses to control. Instead of erasing their history, she lets every scratch
🎊 Let’s Welcome 2025 Together 🎊 Flat 25% off!. View plan
