Sara Jacob paints from the collision of cultures, memory, and lineage. Moving between Berkshire, Nigeria, and the North of England, she never tried to simplify who she was. Instead, she
Nena Lang creates paintings that feel less like images and more like emotional presence. Built through layers scraped, pressed, and reworked with knives and rigid rulers, her works give form
Rooted in the body and shaped by constant movement between cultures, Helena Barbagelata’s work resists categorisation. Her images don’t offer answers, they confront the viewer with presence, vulnerability, and the
Olga Hiiva paints the faces that were never allowed to remain. Working on tablecloths, nightgowns, and worn domestic fabrics, she restores presence to lives erased by violence and silence. Her
Selected for our Faces exhibition, Tanya Shark’s work stood out because it bypasses surface identity. Through animals rendered with quiet intensity, she captures emotional states people recognize instantly but struggle
Laura Fox-Wallis works in silk and dye, a medium that demands both control and surrender. Her birds are built through layered colour, steam-fixed dyes, and years of technical discipline, yet
Taylor Katzman paints what lives between guilt and forgiveness. Through expressive faces and bold acrylics, her work holds emotional tension without resolving it, creating space for viewers to bring their
Martine Jansen doesn’t fill space, she creates it. Through layered pastel paintings and restrained sculpture, her work proves that silence, patience, and refusal to overexplain can carry more weight than
Selected for our Faces exhibition, Moreya’s work stood out for its intensity and refusal to comfort. Rooted in instinct, shadow, and transformation, her paintings reveal the parts of ourselves we’re
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