Mahony Maia Kiely creates women’s faces directly in red desert sand, casting them in plaster before the wind erases them. Rooted in decades of working with land, community, and story,
Selected for our Faces exhibition, Michele Rogers works with repurposed barn wood, scrap metal, and unpredictable materials she refuses to control. Instead of erasing their history, she lets every scratch
Selected for our Birds exhibition, Gitta Pardoel brings decades of architecture and garden design into her art, creating spaces that feel alive with memory, movement, and the quiet presence of
For decades, Nerea Azanza couldn’t create. Not because she stopped loving art, but because a medical mistake silenced the part of her that made it possible. When her creativity finally
Some paintings ask you to admire them. Sally Edmonds’ work asks you to look back. By removing every distraction, she brings you face to face with a bird as an
Paloma Ripollés doesn’t paint what she sees she paints what moves through her. Years of training gave her precision, but it’s her instinct that gives the work life. Using a
Elizabeth Bessant’s work carries the weight of time lived outside the studio. After stepping away from fine art for 28 years to raise her son and build a career in
Nadja Eleonora Milsten’s work sits in the space between doubt and trust. Her watercolor figures feel present but unfinished, shaped as much by emotion as by restraint. Some of her
Sara Jacob paints from the collision of cultures, memory, and lineage. Moving between Berkshire, Nigeria, and the North of England, she never tried to simplify who she was. Instead, she
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