Members Interview

In this interview, London-based artist Nazanin Moradi talks about how movement guides everything she makes. She shares her path from early painting classes in Iran to a practice that weaves together oil painting, digital work, and performance. Her process is about flow, patience, and finding meaning in change.

The gender gap is real. You’re not overthinking it. If you’ve ever looked around at an exhibition lineup or flipped through an art fair catalog and quietly wondered why there are still so few women, your instinct was right. The numbers back it up, and they’ve been doing so for years. But understanding how to read those numbers is where things start to get really interesting. Art market reports love clean charts and polished graphs, but behind those visuals are messy truths. They show that for every celebrated female artist, there…

You know the saying, “Failing to plan is planning to fail”? That could not be truer for your studio updates. Without a clear plan, posts, emails, and social media updates become scattered, reactive, and easily forgotten. Your audience might miss your work, your sales announcements, or your creative milestones simply because they never know when to expect them. An editorial calendar is like a roadmap for your studio. It gives structure to your updates, ensuring that every message lands at the right time and with the right impact. It transforms random…

They say your work should speak for itself, but in reality, the words that accompany it often decide who actually listens. The exhibition text, that small paragraph on the wall, the label beside your piece, or the short description on a gallery website, carries far more weight than most artists imagine. It doesn’t just explain your work, it shapes how people approach it. Before a viewer has even looked long enough to feel something, those few lines have already told them how to see. Think about it, two artists might create…

In this studio visit, Carola welcomes us into her bright upstairs space in Frankfurt am Main. She talks about how she creates her paintings, the role music plays in her process, and the comfort she finds in the rhythm of her work. Surrounded by light, color, and the quiet presence of her cat Max, Carola shares how her studio has become a place where movement and stillness meet.

Take a look at the powerful Faces submissions that are coming in from artists worldwide. Through portraits, abstract forms, and expressive interpretations, these works reveal vulnerability, strength, culture, and connection showing that every face carries a story worth seeing.

You know that feeling when you split a bill with friends and somehow end up paying way more than what you ordered? That’s how a lot of artists feel when they first see a gallery’s commission rate. Fifty percent ,  sometimes more ,  can sound like daylight robbery when you’re the one who spent months creating the work. But that number isn’t random, and understanding where it comes from changes everything about how you approach it. Gallery commissions are less about greed and more about systems. Rent, staff, marketing, shipping, openings…

You can’t fix what you don’t measure. It’s one of those unglamorous truths of being a working artist ,  the creative part might keep you inspired, but the numbers keep you afloat. Every sketch, sale, or submission eventually ties back to how you manage what comes in and what goes out. Yet most artists push this side of their practice to the very end of the to-do list, right next to updating their portfolio and replying to overdue emails. An annual audit isn’t just a finance exercise, it’s a form of…

This article looks at the quiet strength shared by five dedicated oil painters. Through patience, steady work, and attention to everyday life, Sarah Sedwick, Jenny Barroso, Kim Smith, Emma Woolley, and Elena Gual show how persistence can turn ordinary moments into lasting beauty. Their stories reveal that creating art is as much about endurance and care as it is about paint and canvas.

They say the smartest artists don’t just apply, they study. And not in an academic sense, but in a deeply practical one. They look at who’s behind the decisions before they ever hit submit. That single habit can turn what feels like a guessing game into a strategy that actually works. Most artists treat applications like sealed envelopes ,  send, wait, hope. But if you’ve ever wondered why some artists seem to get shortlisted again and again, it’s rarely luck. They’re reading between the lines. They notice who’s on the jury,…