Members Interview
If you have ever sat staring at a blank invoice, second-guessing every number you typed, you are not alone. Pricing your art feels scary because it forces you to put a number on something deeply personal. Unlike selling a shirt or a coffee mug, your art carries your time, your ideas, and a piece of your identity. That makes the process of deciding “what it’s worth” feel almost like deciding “what you’re worth.” It is a heavy emotional lift, which is why many artists either avoid it or undercut themselves. But…
When you hear the phrase “artist bio,” it might sound like one of those formal, box-checking tasks that galleries or websites make you submit. But in reality, your bio is often the very first doorway through which people encounter your art. Before someone dives into your portfolio or takes the time to stand in front of your work, they usually glance at the words you’ve written about yourself. This small paragraph can either intrigue them or make them scroll past. That is why treating it as an afterthought sells your work…
In this interview for the Women in Arts network, Tom Fima talks about moving away from self-portraits and finding a new direction through painting the women in her life. She shares how The Doll House series became a stage for exploring the female gaze, the tension of play and control, and the roles women are expected to perform both in art and beyond.
We’re in the final week of applications! Our virtual exhibition offers artists a platform to present their work to a broad audience, with participation completely free of charge. For those who wish to gain even more exposure and recognition, the optional artist interview is available for just $12. Take this chance to highlight both your art and your journeyapply today before applications close.
Have you ever scrolled through dozens of artist portfolios and noticed how quickly they start blending together? It is like walking into a gallery where every painting is hung in identical frames under the same lighting, leaving you with little memory of what stood out. Your portfolio, whether online or physical, should never fall into that trap. The truth is, if your work is going to resonate with someone, it has to feel like you, not like a safer version of trends you think people want to see. Collectors and curators…
Every artist who experiments across mediums eventually asks the same question: Will people think I’m all over the place? You might paint, sculpt, and dabble in digital art, and while that feels exciting to you, it can spark worry about how others will interpret it. The truth is, the fear of looking scattered is common, and it usually comes from the pressure to present yourself as “marketable” in a neat box. However, creativity doesn’t always fit neatly into boxes. Instead of treating variety as a weakness, consider it a strength waiting…
In this interview for the Women in Arts Network, New York-based artist Qianying Zhu talks about her practice in jewelry, painting, and mixed media. She shares how cultural heritage, everyday observations, and new technologies shape her pieces, and why she sees jewelry as wearable sculpture that creates an exchange between maker and wearer.
An online portfolio is not supposed to be a museum archive, it’s more like a living room that you keep redecorating. Too many artists treat their portfolios like a one-time project. They upload work once, check the box, and then let it gather digital dust. The problem with that is simple: people who find you online often assume what they see is the best and most recent version of your practice. If your latest piece is from three years ago, what does that say? It signals that you’re either inactive, not…
Five painters who submitted for our virtual exhibition The Places We Call Home showed us that home is never just walls and doors it is memory, emotion, and belonging. Through their submissions, we see how home can be tender, joyful, distant, or imagined. Each work is a reflection of personal truth, reminding us that while our experiences differ, the desire to belong is universal. This feature is not about selected finalists, but about honouring the generosity of artists who opened their worlds to us. Their stories enrich the growing archive of…
If you’ve ever felt overwhelmed by the idea of posting on social media, you’re not alone. Many artists see it as a separate, exhausting task, when in reality, it can be thought of as an extension of your studio. Just like you hang a finished painting on your studio wall before deciding whether it belongs in a gallery, social media allows you to test how a piece resonates with people in real time. When you shift your mindset and view platforms as another wall in your studio, it feels less like…