Members Interview

Brazilian psychologist, psychoanalyst, and visual artist Bruna Gazzi Costa talks about weaving mental health and creation into daily life. In this interview, she shares how painting and therapy coexist in her practice, why community plays such a vital role in her process, and how she sees the future of care extending into galleries and studios.

Get a sneak peek at the latest Birds submissions, a collection where creativity takes flight. Artists across the globe explore the delicate balance of strength and vulnerability in birds, translating it into brushstrokes, lens captures, and sculpted forms. Together, these works open new windows of perspective, inspiring and captivating with every detail.

Walk into any gallery quietly and just watch for a moment. Notice how the walls don’t feel neutral at all ,  they hum with a kind of personality. The way pieces are hung, the rhythm of the room, even the pauses between artworks say something about what that space values. Some walls whisper restraint, others pulse with risk, and a few shout with unapologetic boldness. If you pay attention, you realize galleries are speaking long before you ever meet the curator. Now imagine sending your portfolio into that space without first…

Have you ever caught yourself thinking, “Maybe I started too late,” or “Am I past my prime?” Funny thing, those thoughts are almost like background noise for artists, sneaking in when we’re deep in the studio or staring at our portfolios. But here’s the kicker: that “prime age” idea? Total myth. Creativity doesn’t come with an expiry date, it comes with curiosity, courage, and stories that only time can give you. Imagine this: every day you’ve been alive has been a tiny sketch in the story of your life. Every job,…

In this interview, Louise Santucci, a South African-born painter now living in London, shares how she began her journey back in 1999 at Roodepoort Art College and how she continues to create today. She talks about painting alongside her son’s ideas, her love for colour, and the energy that tells her when a piece is working. With honesty about balancing family life and her studio time, she offers insight into what keeps her painting and how she hopes her work will bring a sense of hope to others.

Ever caught yourself staring at your latest sketch, thinking, “Is anyone else even dealing with this creative chaos?” The late-night marathons, the piles of notebooks, the ideas that look amazing in your head but a little wonky on paper, sometimes it feels like you’re the only one juggling all that. That’s exactly why finding mentors and collaborators isn’t just “nice to have,” it’s a total game-changer. And yes, there’s a space where that actually happens: the Women in Arts Network. Imagine a place where asking questions doesn’t feel scary, where experimentation…

The final week to be part of the Women in Arts Network’s “Birds” virtual exhibition is here! Don’t miss your chance to share how birds inspire your creativity, your stories, and your dreams. Women-identifying and non-binary artists worldwide, submit by October 9, 2025, and let your work take flight on a global stage.

Have you ever caught yourself daydreaming about earning money without constantly painting, drawing, or hustling exhibitions? You know, that fantasy where someone buys your art while you sip coffee in your PJs? Well, that dream isn’t as far-fetched as it sounds. Thanks to the digital age, artists like you can actually turn their skills into passive income, and yes, that includes selling digital downloads and tutorials. Here’s the thing: passive doesn’t mean zero work. You still have to put in the time upfront to create something valuable, a digital print, a…

Filipino-born and California-based painter Airies Bagalawis-Olaes talks about her path from painting as a refuge to showing her work in international exhibitions. In this conversation, she shares her approach to balancing life and studio time, what makes a painting come alive, and her hopes for the future of her work as a dialogue on resilience and identity.

Have you ever stared at a grant application and thought, “How on earth do I make them see my work the way I do?” You’re not alone. Many artists focus on writing proposals and filling forms, but forget that the portfolio you submit is just as important, sometimes even more. It’s the first thing reviewers will look at, and if it doesn’t immediately communicate your vision, your skills, and your project’s potential, it doesn’t matter how polished your proposal is. A portfolio isn’t just a collection of pretty pictures. It’s a…