Members Interview

In this conversation, painter Lee Mohr shares how her connection to nature guides her work — from her early years in Alaska to her current studio practice in the Pacific Northwest. She talks about the calm of painting, the balance between structure and intuition, and how place continues to shape the way she sees the world.

What do faces mean to you identity, emotion, memory, or transformation? Across time and cultures, faces have been our most intimate storytellers, revealing and concealing, connecting and protecting. They hold laughter, silence, and the traces of every journey we’ve lived. Now, the **Women in Arts Network** invites **women-identifying and non-binary artists** from around the world to explore this timeless theme in our upcoming **international virtual exhibition**. Through your art, let faces become mirrors of humanity reflections of who we are, who we’ve been, and who we are becoming. Submit your work…

You’ve just opened your inbox to find that message every artist secretly hopes for. A brand wants to collaborate. Maybe it’s a local clothing label that loves your paintings, or a lifestyle company that wants your designs on their next campaign. Your heart skips a beat, your mind races ahead to all the visibility, the validation, maybe even the paycheck. But somewhere between the excitement and the reply button, a quiet question starts to creep in ,  what exactly am I agreeing to? For most artists, brand collaborations sound like the…

Most artists assume residencies are decided by the strength of their portfolio. And in a way, that’s true  your work gets you through the first door. But once you’re inside, the conversation changes. Selection panels rarely debate whether someone can paint, sculpt, or conceptualize well. What they discuss instead are the subtler things that don’t always show up on a slide deck: clarity of thought, curiosity, adaptability, and whether your proposal feels grounded enough to actually come to life. Panels receive hundreds of strong applications, and by the time they sit…

London based painter Niah McGiff speaks about how her work explores the space where the digital and the natural overlap. She shares how slowing down through painting helps her make sense of a fast moving world and how ideas of identity and connection continue to shape her thinking. The interview offers a thoughtful look into how she uses an ancient medium to ask questions about modern life.

Have you ever wondered, “When do they actually decide who gets in?” You submit your work, wait a few weeks, then a few more, checking your inbox like it’s part of your daily routine. Most artists don’t realize curators are running on a completely different clock ,  one that rarely matches your creative rhythm. The exhibition world moves like an academic calendar, but no one hands you the syllabus. Some curators plan a full year ahead, while others work in short, intense bursts tied to funding cycles or venue availability. By…

At some point in your art journey, your work finally leaves the studio. Maybe it’s wrapped up for a show, maybe it’s headed to a collector who found you online, or maybe it’s just your first sale ever. It feels good, right? But here’s the part most artists don’t really think about ,  that sale is just the beginning of your artwork’s story. What happens next, who resells it, and how its price changes over time, that’s where the art world starts to get interesting. There are basically two worlds your…

Five women talk about how the wild world around them shapes their painting. From ocean shores to open plains, they share how watching animals and light each day turns into quiet, thoughtful art.

Ever heard the saying “Your art speaks for itself”? It sounds nice, but anyone who’s tried to get their work seen knows that words matter too. The way you describe your process, the stories you tell, even the short lines on your website, they all help people understand what they’re looking at. Writing quietly shapes how your art moves through the world, whether you notice it or not. Most artists treat writing like a chore at first, something you do because the application asks for it. But after a while, it…

If you’ve ever tried explaining your art practice in an email and felt it came out all wrong, you already know why a press kit matters. It’s not about being fancy or looking “professional,” it’s about helping people understand your work without making them dig for it. A good press kit isn’t something you make once you’re established, it’s something that helps you get established. It’s what makes it easier for curators, editors, or collaborators to say yes because they can actually see who you are, what you make, and where…