Members Interview

Sep 04
Just 3 Days Left: Submit Now For The Places We Call Home

Final Call: 3 Days Remaining The door is closing soon. This is the last chance to be part of The Places We Call Home exhibition. Share your story, your creativity, your version of home before the opportunity slips away.

Sep 04
Why Some Artists Get Seen (and Others Don’t)

If you’ve ever wondered why some artists seem to be everywhere while others quietly fade into the background, the answer often lies in branding. Talent is crucial, yes, but visibility and identity make the difference between being remembered or overlooked. Personal branding is not about turning yourself into a logo or copying what everyone else is doing, it’s about clarifying your story so people instantly connect with you and your work. Think about how many artists you scroll past on Instagram in a single day. What makes you stop on one…

Sep 03
The 3-Sentence Elevator Pitch Every Artist Needs

Every artist has had that moment where someone casually asks, “So, what do you do?” and panic sets in. You want to explain your practice, your inspirations, and your medium, but the words stumble out in a jumble that doesn’t quite capture the magic of your work. That is why the elevator pitch matters. It is not about shrinking your art into something tiny, it is about creating a bridge between your world and theirs. Think about the last time you met someone at an opening or networking event. Chances are,…

Sep 02
How this Artist Balances Science with a Passion for Painting

In this interview for the Women in Arts Network, painter Shakima Johnson shares how her career began by chance during the pandemic and how she continues to balance her life as both an artist and a scientist. She talks about her approach to abstraction and pointillism, the feeling she gets when a piece comes together, and why creating meaningful work matters most to her.

Sep 02
Do You Really Need a Signature Style?

Every artist, whether a painter, photographer, or digital creator, eventually hears the same advice: “You need a signature style.” At first, this can sound like both a blessing and a curse. On one hand, a recognizable style makes it easier for people to remember your work. On the other, it can feel like you are being told to lock yourself into one box forever. It’s no wonder so many artists wrestle with this idea Think about some of the world’s most famous artists. Van Gogh’s swirling brushstrokes are unmistakable, and Yayoi…

Sep 01
Call for Submissions: Women in Arts Network’s September 2025 Artist of the Month

Do you want your art to be celebrated worldwide? The Women in Arts Network is now accepting submissions for Artist of the Month – September 2025. Share your story, showcase your creativity, and let your work inspire audiences, curators, and collectors across the globe. This is your moment—step into the spotlight and let your art be seen.

Sep 01
Want Collectors to Remember You?

Every artist wants their work to be noticed, but here’s a secret: people don’t just remember individual pieces, they remember stories. Think about the last time a movie or a comic really stuck with you. It wasn’t just the characters or visuals, it was how the story unfolded. Your portfolio can do the same thing. Instead of just showing a series of disconnected works, a narrative sequence guides your audience through your creative journey. A portfolio that tells a story gives context to your art. Imagine someone browsing images online without…

Aug 31
How This Artist from Newyork Blends Fashion and Fine Art Photography

In this interview for the Women in Arts Network, Zaccheo Zhang talks about the role of materials in shaping her photography, the influence of her childhood in China, and why experimentation continues to guide her. She also shares how she balances the pace of fashion with the solitude of fine art, and why she welcomes uncertainty in the future of photography.

Aug 31
Want Galleries to Remember Your Work? Try This

Every artist has little things that mean a lot, maybe it’s a childhood toy, a pattern you loved in your grandmother’s kitchen, or a recurring motif you notice in dreams. These small, personal symbols carry stories that only you fully understand, and they can become powerful tools in your art. When someone else sees them, even if they don’t grasp every layer, they feel a connection, like a secret handshake. Think about a painting that features a little paper boat. To you, it might be a memory of a rainy afternoon,…

Aug 30
Should You Start Low and Raise Prices Later?

If you have ever sat staring at a blank invoice, second-guessing every number you typed, you are not alone. Pricing your art feels scary because it forces you to put a number on something deeply personal. Unlike selling a shirt or a coffee mug, your art carries your time, your ideas, and a piece of your identity. That makes the process of deciding “what it’s worth” feel almost like deciding “what you’re worth.” It is a heavy emotional lift, which is why many artists either avoid it or undercut themselves. But…

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