Members Interview

Nov 20
The path that carried her from small cut pieces to global shows | Julia Kohane

In this conversation, collage maker Julia Kohane talks about how her images take shape from scattered fragments and why she is drawn to moments when memory slips into imagination. She shares how her mix of hand cut elements and digital finishing keeps her process fluid, why different cities sparked different conversations around her work, and how studying psychology and philosophy still guides the questions she brings to each piece.

Nov 20
Only 5 Days Left to Submit Your Work to the International Virtual Exhibition: Faces

Time is almost up! Submit your work to Faces before November 25, 2025. This is a chance for women-identifying and non-binary artists to explore identity, expression, and emotion through faces whether portraits, abstract forms, or conceptual interpretations. Your art could inspire, move, and connect audiences across the globe.

Nov 20
How to Write an Artist Statement (and Why It Matters)

Most artists know the uneasy feeling of trying to update an old artist statement and not knowing where to start. It sits on your desktop for months because every attempt feels either too stiff or too vague. You read it back and feel disconnected from the words, even though they are supposed to represent you. That gap between who you are now and what the statement says becomes wider over time. It is frustrating in a quiet, familiar way. You know it needs to change, but the process feels heavier than…

Nov 19
5 Things Jurors Look For in Artist Portfolios 

Artists often focus on the work itself, and that focus is essential, but the way the work is presented creates the first layer of trust. A strong piece can lose its impact when the surrounding details feel rushed, unclear, or inconsistent. People rarely say this out loud, but presentation becomes the quiet filter through which curators, galleries, and jurors decide whether someone feels ready for professional opportunities. The small things carry weight because they reveal how seriously an artist treats their own practice. What surprises many emerging artists is that these…

Nov 18
A Studio Visit and Interview with Artist Marcella Granick

Take a step inside the working studio of painter Marcella Granick, where canvases sit in every stage and ideas move from quick notes to full figures at their own pace. Marcella talks through her setup, her habits, and the small details that shape her process, giving a close look at how she works in a room that feels lived-in, honest, and full of slow, steady movement.

Nov 18
Why ‘Being Visible’ Isn’t Enough for Women Artists

Visibility sounds like the dream, right? You picture your art being seen, shared, maybe even sold. But in the real world, “being visible” is not as simple as getting likes on a post or landing a single feature. Visibility is layered, tricky, and often misunderstood. Many artists chase numbers, not realizing that not all visibility moves their career forward. Some exposure brings genuine growth, while other kinds just burn time and energy with little return. What visibility really means is alignment, not volume. It’s the difference between being seen by thousands…

Nov 17
Why Does This Artist Love Painting Dead Birds? I Cecelia Wilken

Cecelia Wilken found her way back to art after a medical separation from military service and becoming a mother, using painting as a path to heal and reclaim her identity. Her work explores impermanence, transformation, and the beauty in decay, often confronting themes many shy away from, including death and grief. Through surreal imagery and emotional storytelling, she balances discomfort with tenderness, inviting viewers to reflect and feel deeply. Cecelia creates for herself first, embracing imperfection and trusting intuition over market trends. Bold choices, like painting dead birds, become symbolic explorations…

Nov 17
7 Ways to Get Galleries and Collectors to Notice Your Portfolio

A digital portfolio can make or break you in seconds. Someone clicks, scrolls, and decides in less than a minute whether they want to keep looking or move on. That tiny window is brutal, but it’s also your best chance to stand out. The truth is, professionalism isn’t about fancy web design or paying for premium hosting. It’s the small, almost invisible things that quietly tell people you take your art seriously. We’ve all seen portfolios that look “fine” but somehow feel off. Maybe the images are beautiful, but the layout…

Nov 16
What Makes These Women Stand Out in the Mosaic World

This feature brings together five women whose mosaic practices have been shaped by patience, material knowledge and years of steady work. Each of them builds with fragments, yet the results are strikingly different one artist shaping quiet, atmospheric surfaces, another working with discarded crockery, another turning stained glass into scenes drawn from mid-century comics, and others following the movement of light or the slow rhythm of stone and marble. Together they show how mosaic continues to grow through thoughtful hands and attentive watching. Their stories offer a close look at how…

Nov 16
7 Tips to Arrange Your Artist Portfolio Like a Pro

Ever notice how two artists can have equally strong work, yet one portfolio instantly feels more compelling? That difference often comes down to order, the quiet science behind how you arrange your pieces. A strong portfolio isn’t just a pile of your best work; it’s a story told in the right rhythm. The way your pieces flow affects how curators, jurors, and collectors experience your art before they even read a single word about you. Think of your portfolio like a playlist. You wouldn’t open with your loudest song, follow it…

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