Category: Blog

The gender gap is real. You’re not overthinking it. If you’ve ever looked around at an exhibition lineup or flipped through an art fair catalog and quietly wondered why there are still so few women, your instinct was right. The numbers back it up, and they’ve been doing so for years. But understanding how to read those numbers is where things start to get really interesting. Art market reports love clean charts and polished graphs, but behind those visuals are messy truths. They show that for every celebrated female artist, there…

You know the saying, “Failing to plan is planning to fail”? That could not be truer for your studio updates. Without a clear plan, posts, emails, and social media updates become scattered, reactive, and easily forgotten. Your audience might miss your work, your sales announcements, or your creative milestones simply because they never know when to expect them. An editorial calendar is like a roadmap for your studio. It gives structure to your updates, ensuring that every message lands at the right time and with the right impact. It transforms random…

They say your work should speak for itself, but in reality, the words that accompany it often decide who actually listens. The exhibition text, that small paragraph on the wall, the label beside your piece, or the short description on a gallery website, carries far more weight than most artists imagine. It doesn’t just explain your work, it shapes how people approach it. Before a viewer has even looked long enough to feel something, those few lines have already told them how to see. Think about it, two artists might create…

Take a look at the powerful Faces submissions that are coming in from artists worldwide. Through portraits, abstract forms, and expressive interpretations, these works reveal vulnerability, strength, culture, and connection showing that every face carries a story worth seeing.

You know that feeling when you split a bill with friends and somehow end up paying way more than what you ordered? That’s how a lot of artists feel when they first see a gallery’s commission rate. Fifty percent ,  sometimes more ,  can sound like daylight robbery when you’re the one who spent months creating the work. But that number isn’t random, and understanding where it comes from changes everything about how you approach it. Gallery commissions are less about greed and more about systems. Rent, staff, marketing, shipping, openings…

You can’t fix what you don’t measure. It’s one of those unglamorous truths of being a working artist ,  the creative part might keep you inspired, but the numbers keep you afloat. Every sketch, sale, or submission eventually ties back to how you manage what comes in and what goes out. Yet most artists push this side of their practice to the very end of the to-do list, right next to updating their portfolio and replying to overdue emails. An annual audit isn’t just a finance exercise, it’s a form of…

They say the smartest artists don’t just apply, they study. And not in an academic sense, but in a deeply practical one. They look at who’s behind the decisions before they ever hit submit. That single habit can turn what feels like a guessing game into a strategy that actually works. Most artists treat applications like sealed envelopes ,  send, wait, hope. But if you’ve ever wondered why some artists seem to get shortlisted again and again, it’s rarely luck. They’re reading between the lines. They notice who’s on the jury,…

Scarcity has always held power. The fewer there are of something, the more people seem to want it. That same principle that drives rare sneakers or collectible coins also applies to art. Limited editions create a sense of urgency and value that open editions rarely can. But behind that allure lies a real balancing act ,  one that requires an artist to think like both a creator and a strategist. A limited edition isn’t just about cutting the number of prints. It’s a signal. It tells collectors that what they’re buying…

You’ve just opened your inbox to find that message every artist secretly hopes for. A brand wants to collaborate. Maybe it’s a local clothing label that loves your paintings, or a lifestyle company that wants your designs on their next campaign. Your heart skips a beat, your mind races ahead to all the visibility, the validation, maybe even the paycheck. But somewhere between the excitement and the reply button, a quiet question starts to creep in ,  what exactly am I agreeing to? For most artists, brand collaborations sound like the…

Most artists assume residencies are decided by the strength of their portfolio. And in a way, that’s true  your work gets you through the first door. But once you’re inside, the conversation changes. Selection panels rarely debate whether someone can paint, sculpt, or conceptualize well. What they discuss instead are the subtler things that don’t always show up on a slide deck: clarity of thought, curiosity, adaptability, and whether your proposal feels grounded enough to actually come to life. Panels receive hundreds of strong applications, and by the time they sit…