Tag: art business tips

Sep 21
How to Price Your Art Without Feeling Guilty

let’s talk about something nobody really wants to admit: pricing your own art is weirdly stressful. Like, you’ve poured hours, sweat, and maybe a few tears into a piece, and now you have to slap a number on it? Suddenly, it’s not just your art, it’s money, math, and all the anxiety that comes with being a human who needs to eat. And the guilt. Oh, the guilt is real. You want to charge enough to feel like your work matters, but not so much that people think you’re greedy. And…

Sep 12
How I Found My Voice as a Woman Artist in a Male-Dominated Art World

Ever catch yourself thinking, “Maybe my ideas are too loud for the gallery?” If so, welcome to the club, but here’s the twist: your bold ideas are exactly why you belong. For women artists, the art world can feel like a room full of invisible “Do’s and Don’ts,” mostly written by someone else. But those rules? They don’t apply to your voice. Finding your voice isn’t about matching someone else’s idea of success. It’s about noticing the patterns in your thoughts, the sparks that make you uncomfortable and excited at the…

Aug 30
Should You Start Low and Raise Prices Later?

If you have ever sat staring at a blank invoice, second-guessing every number you typed, you are not alone. Pricing your art feels scary because it forces you to put a number on something deeply personal. Unlike selling a shirt or a coffee mug, your art carries your time, your ideas, and a piece of your identity. That makes the process of deciding “what it’s worth” feel almost like deciding “what you’re worth.” It is a heavy emotional lift, which is why many artists either avoid it or undercut themselves. But…

Aug 10
Is Your Portfolio Speaking to the Right Audience?

Why Every Portfolio Isn’t for Everyone Let’s start with a truth many artists overlook: your portfolio isn’t a one-size-fits-all situation. It’s tempting to create a single file with your favorite works and use it for every opportunity, but here’s the problem: what appeals to a gallery may not speak to a school admissions panel, and what collectors love might not be the same as what a curator is looking for. Different audiences have different needs, priorities, and expectations. Understanding who will view your portfolio can drastically change how your work is…

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