Tag: art marketing

Dec 23
How Artists Built Businesses Without Galleries

Some people wait for the tide to lift them, hoping the world notices their work. Others grab some wood and start building a boat. For a growing number of contemporary artists, galleries are no longer the only way to be seen, to be collected, or to make a living. They’ve discovered that success doesn’t have to pass through a gallery door to be real. Creating a sustainable art business on your own takes more than skill with a brush or a camera. It takes curiosity, persistence, and a willingness to understand…

Dec 10
How to Manifest Your First Gallery Show

Many artists who land their first gallery show rarely describe a single breakthrough moment. They describe a series of decisions that built something solid, something that could carry the early weight of a professional practice. Manifestation becomes less about wishing and more about showing up with consistency, clarity, and a sense of direction that others can feel. When your foundation is steady, your chances of being seen by the right space rise in a very practical way. A lot of artists assume that manifesting a gallery show means repeating intentions and…

Nov 11
5 Signs You’re Ready for a Gallery (and How to Get There)

They say not every door is meant to be knocked on, and that’s especially true in the art world. The gallery system can look like a ladder, but it’s more like a network of rooms ,  each with its own energy, audience, and expectations. Knowing which one to step into at your current stage isn’t just strategy, it’s self-awareness. Many artists waste years chasing galleries that don’t align with where they are yet. They send portfolios to top-tier spaces that only work with established names, or they settle for venues that…

Nov 07
How to Build a Portfolio That Works for Galleries, Collectors & Curators

Portfolios don’t speak the same language for everyone. What grabs a curator’s attention might barely register with a collector, and galleries are often looking for something entirely different. Treating every audience the same usually means your work doesn’t land as well as it could, and opportunities slip through the cracks. Different people notice different things. Collectors want to see growth, potential, and whether your work could become a meaningful addition to their collection. Curators are scanning for cohesion, concept, and whether your pieces fit into a larger conversation. Galleries are sizing…

Oct 29
How to Plan Instagram Posts People Comment On

You know the saying, “Failing to plan is planning to fail”? That could not be truer for your studio updates. Without a clear plan, posts, emails, and social media updates become scattered, reactive, and easily forgotten. Your audience might miss your work, your sales announcements, or your creative milestones simply because they never know when to expect them. An editorial calendar is like a roadmap for your studio. It gives structure to your updates, ensuring that every message lands at the right time and with the right impact. It transforms random…

Oct 28
What Curators Really Want to Read in Your Art Exhibition Text

They say your work should speak for itself, but in reality, the words that accompany it often decide who actually listens. The exhibition text, that small paragraph on the wall, the label beside your piece, or the short description on a gallery website, carries far more weight than most artists imagine. It doesn’t just explain your work, it shapes how people approach it. Before a viewer has even looked long enough to feel something, those few lines have already told them how to see. Think about it, two artists might create…

Oct 27
Red Flags to Watch For Before Signing a Gallery Agreement

You know that feeling when you split a bill with friends and somehow end up paying way more than what you ordered? That’s how a lot of artists feel when they first see a gallery’s commission rate. Fifty percent ,  sometimes more ,  can sound like daylight robbery when you’re the one who spent months creating the work. But that number isn’t random, and understanding where it comes from changes everything about how you approach it. Gallery commissions are less about greed and more about systems. Rent, staff, marketing, shipping, openings…

Oct 23
The Artist’s Guide to Brand Collaborations

You’ve just opened your inbox to find that message every artist secretly hopes for. A brand wants to collaborate. Maybe it’s a local clothing label that loves your paintings, or a lifestyle company that wants your designs on their next campaign. Your heart skips a beat, your mind races ahead to all the visibility, the validation, maybe even the paycheck. But somewhere between the excitement and the reply button, a quiet question starts to creep in ,  what exactly am I agreeing to? For most artists, brand collaborations sound like the…

Oct 20
First Sale vs. Resale: What Every Artist Should Know

At some point in your art journey, your work finally leaves the studio. Maybe it’s wrapped up for a show, maybe it’s headed to a collector who found you online, or maybe it’s just your first sale ever. It feels good, right? But here’s the part most artists don’t really think about ,  that sale is just the beginning of your artwork’s story. What happens next, who resells it, and how its price changes over time, that’s where the art world starts to get interesting. There are basically two worlds your…

Oct 19
How Writing Turns Viewers into Collectors

Ever heard the saying “Your art speaks for itself”? It sounds nice, but anyone who’s tried to get their work seen knows that words matter too. The way you describe your process, the stories you tell, even the short lines on your website, they all help people understand what they’re looking at. Writing quietly shapes how your art moves through the world, whether you notice it or not. Most artists treat writing like a chore at first, something you do because the application asks for it. But after a while, it…

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