Mandi's studio isn't what you'd picture when you think of an artist's workspace. Walk through the door and you're hit with mess. Real mess. Papers piled on papers, images cut partway through, notes written in whatever state of mind she was in at the time. In this studio visit, the multidisciplinary artist explains why her space looks the way it does and what all that disorder actually makes possible. She talks about how thoughts move from her journals onto canvas without getting squeezed into a plan, why she works on several…
In this studio visit, we step into the working world of a Brazilian clinical psychologist and visual artist Bruna Gazzi Costa who paints between therapy sessions and long, quiet weekends. She shares how listening shapes her practice, why acrylic paint fits her routine, and how working inside a shared art space during the pandemic helped her stay steady. From early morning light to unfinished canvases waiting on the walls, this conversation offers a look at a studio shaped by time, care, and daily life.
This week we spoke with Jessica, an author and illustrator who works wherever she can find a little quiet. She talks with us about how she builds her stories, the coffee that follows her from one workspace to another, and the way natural light helps her settle into her ideas. Our conversation moves through her daily routine, the books she loves, and the small habits that guide her creative work.
Pencil drawing asks for patience, focus, and a steady hand. In this feature, we look closely at five contemporary pencil artists who use graphite and coloured pencil to create work that rewards slow looking. From quiet portrait studies to carefully observed figures and animals, these artists show how much can be achieved with restraint, discipline, and long-term dedication to a single medium.
We visited Dr. Evilletown in her basement studio in New York City. The space is quiet and practical, with the faint smell of paint and beeswax in the air. Around her, sketches, paintings, and sculptures sit in different stages of progress. She talks about how she keeps her workspace clear, how ideas move from sketchbooks to finished pieces, and the small routines that help her stay focused. It’s a chance to see how her art takes shape, one brushstroke and sound at a time.
Sometimes the habits we hold onto sneak up on us without us even noticing. As artists, we carry routines, little thought patterns, and mental pressures that quietly shape our work in ways we do not always see. Some of these habits drain our energy, stall creativity, or keep ideas from fully coming to life. Noticing them is not about guilt or blame. It is about understanding how our own actions quietly influence the work we make and the way we feel about it. Letting go of habits that do not serve…
Five women. Five different paths. One shared way of working through careful looking and steady practice. This feature follows Stephanie Birdsall, Amy Verhoeff, Lori Putnam, Robin Cheers, and Carolyn Lindsey as they move between studio and outdoor painting, teaching and exhibiting, and the everyday routines that shape their work.
This studio visit takes you inside the home of artist Karen Sachs, where her living room has become the center of her creative life. She talks about how she works, how her space feels, and the small moments that guide her as she paints and builds her ideas day by day.
Watercolour has a gentle way of slowing us down. It asks us to look a little closer and let small moments guide the brush. In this article, we meet five women who each have their own relationship with the medium—whether they’re sketching gardens, carrying paint on the road, teaching beginners, or building a lifelong practice. Their styles differ, but they’re all connected by the simple act of noticing the world and returning to the page with care.
Take a step inside the working studio of painter Marcella Granick, where canvases sit in every stage and ideas move from quick notes to full figures at their own pace. Marcella talks through her setup, her habits, and the small details that shape her process, giving a close look at how she works in a room that feels lived-in, honest, and full of slow, steady movement.
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