Tag: art practice
We visited Dr. Evilletown in her basement studio in New York City. The space is quiet and practical, with the faint smell of paint and beeswax in the air. Around her, sketches, paintings, and sculptures sit in different stages of progress. She talks about how she keeps her workspace clear, how ideas move from sketchbooks to finished pieces, and the small routines that help her stay focused. It’s a chance to see how her art takes shape, one brushstroke and sound at a time.
Sometimes the habits we hold onto sneak up on us without us even noticing. As artists, we carry routines, little thought patterns, and mental pressures that quietly shape our work in ways we do not always see. Some of these habits drain our energy, stall creativity, or keep ideas from fully coming to life. Noticing them is not about guilt or blame. It is about understanding how our own actions quietly influence the work we make and the way we feel about it. Letting go of habits that do not serve…
Five women. Five different paths. One shared way of working through careful looking and steady practice. This feature follows Stephanie Birdsall, Amy Verhoeff, Lori Putnam, Robin Cheers, and Carolyn Lindsey as they move between studio and outdoor painting, teaching and exhibiting, and the everyday routines that shape their work.
This studio visit takes you inside the home of artist Karen Sachs, where her living room has become the center of her creative life. She talks about how she works, how her space feels, and the small moments that guide her as she paints and builds her ideas day by day.
Watercolour has a gentle way of slowing us down. It asks us to look a little closer and let small moments guide the brush. In this article, we meet five women who each have their own relationship with the medium—whether they’re sketching gardens, carrying paint on the road, teaching beginners, or building a lifelong practice. Their styles differ, but they’re all connected by the simple act of noticing the world and returning to the page with care.
Take a step inside the working studio of painter Marcella Granick, where canvases sit in every stage and ideas move from quick notes to full figures at their own pace. Marcella talks through her setup, her habits, and the small details that shape her process, giving a close look at how she works in a room that feels lived-in, honest, and full of slow, steady movement.
If you’ve ever walked into a room and felt like the walls themselves were alive, you’ve experienced a little bit of what Rothko aimed for. Born in 1903 in Dvinsk (now Daugavpils, Latvia), Rothko emigrated to the United States as a child and later became one of the seminal figures of the Abstract Expressionist movement. What made his work stand out was his belief that colour alone, large fields of it, softly edged and hovering on the canvas, could evoke deep human emotion: tragedy, ecstasy, even the sense of the sublime.Rather…
You didn’t pick up a paintbrush, pen, or camera because life was picture-perfect. You picked it up because something inside you needed out. Maybe it was frustration, perhaps heartbreak, maybe that low hum of anxiety that never seems to shut up. Whatever it was, you knew keeping it bottled in wasn’t an option. So you made. And that act of making, messy as it was, started to stitch you back together in ways you didn’t expect. Here’s the funny thing: you probably weren’t trying to heal at first. You were just…
Every artist has little things that mean a lot, maybe it’s a childhood toy, a pattern you loved in your grandmother’s kitchen, or a recurring motif you notice in dreams. These small, personal symbols carry stories that only you fully understand, and they can become powerful tools in your art. When someone else sees them, even if they don’t grasp every layer, they feel a connection, like a secret handshake. Think about a painting that features a little paper boat. To you, it might be a memory of a rainy afternoon,…
Why It’s Time to Show the Messy Middle We all love the final piece, the polished canvas, the perfectly lit photograph, the sculpture that stands proud and complete. But what about the versions before that? The smudged pages, the failed attempts, the half-formed ideas that eventually led you there? Most artists hide those moments. But here’s the thing: they’re gold. Audiences are no longer content with just the result. They want to know the story behind it, the hands that shaped it, and the journey it took to arrive. Including works…