Patricia Frederick makes a mark on canvas and then waits to see what it wants to become. In this interview, the retired art educator talks about her process-based approach to painting, the difficulty of trusting gut feeling over years of design training, and how her work has turned into a way of investigating consciousness. She discusses what happens when paintings show her thoughts before she recognizes them, why she stays away from anything resembling a horizon line, and what she means when she says her work is supposed to act as…
In this interview, Lebanese visual artist Rania El Osta speaks about moving from Medical Sciences to painting, the influence of family memory, and why birds and old houses continue to appear in her work. She shares how observation, color, and lived experience shape her process, and what it means to carry images of Lebanon beyond its borders.
Some people wait for the tide to lift them, hoping the world notices their work. Others grab some wood and start building a boat. For a growing number of contemporary artists, galleries are no longer the only way to be seen, to be collected, or to make a living. They’ve discovered that success doesn’t have to pass through a gallery door to be real. Creating a sustainable art business on your own takes more than skill with a brush or a camera. It takes curiosity, persistence, and a willingness to understand…
In this interview, Sokhna Mariama talks about migration, nature, and working across different mediums. She shares how her life between Dakar and Italy shaped her way of seeing, how ideas guide her process, and how her projects invite people to take part rather than only observe.
In this interview, Elodie Martin talks about how her childhood in Arles, her time exploring visual arts and her return to hand embroidery all come together in the pieces she creates today. She explains how she chooses her materials, how she moves between Lunéville crochet and needle work, and how works like Splinters of rose form a space where memory, care and the pace of nature meet. Her insights offer a close look at the thoughtful, steady way she builds stories through thread.
In this interview, Daniela Tovar talks about the early paths that shaped her work, from theatre and music to design and years of training in drawing and painting. She shares how watercolour became the medium that suited her way of working and how travelling to learn from different teachers pushed her to grow in unexpected ways. Her insights reveal how painting and illustration each give her a way to tell stories and connect with others.
You’ve got your portfolio already, but what if it could be better, sharper, more you? That’s where continuing education steps in. Courses and workshops aren’t just about learning new techniques; they’re the secret sauce that adds depth, clarity, and confidence to your work. Imagine walking into a class and hearing perspectives that push you, an instructor says, “What if you flip that color gradient?” or a peer asks, “Why did you choose that composition?” Those moments shift how you see your own art. From weekend intensives to semester-long studio courses, these…
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