Tag: artist applications

Oct 25
The Step Most Artists Skip Before Applying

They say the smartest artists don’t just apply, they study. And not in an academic sense, but in a deeply practical one. They look at who’s behind the decisions before they ever hit submit. That single habit can turn what feels like a guessing game into a strategy that actually works. Most artists treat applications like sealed envelopes ,  send, wait, hope. But if you’ve ever wondered why some artists seem to get shortlisted again and again, it’s rarely luck. They’re reading between the lines. They notice who’s on the jury,…

Oct 22
The Real Reason Some Artists Get Residencies and Others Don’t

Most artists assume residencies are decided by the strength of their portfolio. And in a way, that’s true  your work gets you through the first door. But once you’re inside, the conversation changes. Selection panels rarely debate whether someone can paint, sculpt, or conceptualize well. What they discuss instead are the subtler things that don’t always show up on a slide deck: clarity of thought, curiosity, adaptability, and whether your proposal feels grounded enough to actually come to life. Panels receive hundreds of strong applications, and by the time they sit…

Oct 21
5 Reasons You’re Missing Exhibition Opportunities

Have you ever wondered, “When do they actually decide who gets in?” You submit your work, wait a few weeks, then a few more, checking your inbox like it’s part of your daily routine. Most artists don’t realize curators are running on a completely different clock ,  one that rarely matches your creative rhythm. The exhibition world moves like an academic calendar, but no one hands you the syllabus. Some curators plan a full year ahead, while others work in short, intense bursts tied to funding cycles or venue availability. By…

Aug 20
Is It Really Necessary To Add Videos to Your Art Portfolio?

Think about the last time you flipped through someone’s art portfolio online. Did you quickly scroll through the images and then move on? That’s exactly what happens to most portfolios today. A flat set of images is fine, but in a world where we’re constantly consuming video and dynamic media, static photos often fall short. They don’t capture the story, the energy, or the magic behind the work. If you’ve ever thought, “My art looks so much better in person,” you already know the frustration. Photographs can’t always show texture, scale,…

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