If you’ve been wondering whether your art belongs here, consider this your reassurance: it does. And more importantly, it’s wanted. Every submission so far has expanded this exhibition in ways we never expected, but there is still a space that only your perspective can fill. So if a place has shaped your heart, your imagination, or your identity, share that story through your work. Submit now, and let your landscape become part of a growing global dialogue about memory, meaning, and the worlds we carry within us.
When a place stays with us, it leaves a mark on memory, on imagination, on art. The Women in Arts Network invites women-identifying and non-binary artists to explore the theme “Landscapes & Places” in our international virtual exhibition. Whether real, remembered, or imagined, these spaces shape who we are and how we see the world. Submit your work and share the places that live inside you.
Let your art mark a powerful ending to 2025 and an inspiring beginning to what comes next. Submissions for Artist of the Month December 2025 are open, share your voice and your vision.
Deadline Extended! You now have until December 30th to submit your work for the “Faces” exhibition. This is your chance to share your unique vision, join a global community of artists, and have your work featured alongside extraordinary creations from around the world. Don’t miss the opportunity to be part of this inspiring showcase every face tells a story, and we want to see yours.
In this conversation, collage maker Julia Kohane talks about how her images take shape from scattered fragments and why she is drawn to moments when memory slips into imagination. She shares how her mix of hand cut elements and digital finishing keeps her process fluid, why different cities sparked different conversations around her work, and how studying psychology and philosophy still guides the questions she brings to each piece.
Time is almost up! Submit your work to Faces before November 25, 2025. This is a chance for women-identifying and non-binary artists to explore identity, expression, and emotion through faces whether portraits, abstract forms, or conceptual interpretations. Your art could inspire, move, and connect audiences across the globe.
Most artists know the uneasy feeling of trying to update an old artist statement and not knowing where to start. It sits on your desktop for months because every attempt feels either too stiff or too vague. You read it back and feel disconnected from the words, even though they are supposed to represent you. That gap between who you are now and what the statement says becomes wider over time. It is frustrating in a quiet, familiar way. You know it needs to change, but the process feels heavier than…
Spend a moment with Texas painter and teacher Lesa Shaw as she talks about how a sketch on her phone, a few color notes, and a curious mindset become paintings filled with life and imagination. In this interview, she shares how she balances planning with instinct, why she enjoys switching between oil, acrylic, and alcohol ink, and how her students keep her thinking fresh.
We are thrilled to announce that The Places We Call Home is now live on the Women in Arts Network! This international virtual exhibition brings together women-identifying and non-binary artists from around the world to explore the many meanings of home. Through painting, photography, sculpture, mixed media, and digital art, each artist shares deeply personal stories of belonging, memory, and connection, inviting viewers to reflect on their own sense of home, wherever it may be.
If you’ve ever walked into a room and felt like the walls themselves were alive, you’ve experienced a little bit of what Rothko aimed for. Born in 1903 in Dvinsk (now Daugavpils, Latvia), Rothko emigrated to the United States as a child and later became one of the seminal figures of the Abstract Expressionist movement. What made his work stand out was his belief that colour alone, large fields of it, softly edged and hovering on the canvas, could evoke deep human emotion: tragedy, ecstasy, even the sense of the sublime.Rather…
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