Lorena Casanova’s hyper-realistic charcoal portraits prove that black and white can hold as much emotion as color. Through subtle gestures, light, and shadow, she captures the quiet intensity of the human face with striking depth and honesty.
Kathleen Warren’s encaustic works layer wax over photography, building and scraping surfaces that mirror memory itself. Through patience, intuition, and time, her paintings reveal stories that emerge slowly, inviting viewers into a quiet dialogue beneath the surface.
Adi Zur’s layered mixed media paintings combine oil, text, and collage to create surfaces that hold hidden histories beneath them. Inspired by archaeology and philosophy, her work invites viewers to look closer, uncovering buried meaning through colour, fragments, and subtle shifts in composition.
Margo Nacai’s abstract expressionist paintings challenge traditional portraiture by presenting fragmented faces, gestures, and forms that mirror the complexity of human identity. Through colour, broken lines, and emotional space, her work explores memory, inner tension, and the unfinished nature of self.
Cristina Jantic creates quiet digital portraits in walnut, sepia, and vintage grey tones that invite viewers to slow down and feel what women often carry silently. Her work blends handwritten poetry and muted imagery to explore emotional labor, endurance, and the invisible weight many women hold without words.
Maryna Tsoneva grew up in Soviet Ukraine surrounded by grey streets and scarcity, but one art book changed everything. Today she paints portraits in oil that don’t just resemble people, they hold what they carry inside. Through restrained brushwork and quiet emotional depth, her faces invite viewers to pause, look closer, and feel the unspoken stories beneath the surface.
Nadja Eleonora Milsten’s work sits in the space between doubt and trust. Her watercolor figures feel present but unfinished, shaped as much by emotion as by restraint. Some of her strongest paintings are the ones she almost abandoned—set aside for months until time changed how she saw them. Moving from oils to watercolor during a turning point in her life, she stopped painting for expectation and began painting from instinct. Her practice isn’t about certainty. It’s about letting doubt exist, stepping away when needed, and trusting that what doesn’t make sense…
Nena Lang creates paintings that feel less like images and more like emotional presence. Built through layers scraped, pressed, and reworked with knives and rigid rulers, her works give form to what cannot be spoken moments when holding everything inside becomes impossible and painting becomes the only way forward.
Rooted in the body and shaped by constant movement between cultures, Helena Barbagelata’s work resists categorisation. Her images don’t offer answers, they confront the viewer with presence, vulnerability, and the cost of never landing.
Olga Hiiva paints the faces that were never allowed to remain. Working on tablecloths, nightgowns, and worn domestic fabrics, she restores presence to lives erased by violence and silence. Her portraits are not memorials of suffering, they are acts of return, carrying grief, love, and survival across generations, and insisting that what was meant to vanish is still here.
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