In this interview, Lebanese visual artist Rania El Osta speaks about moving from Medical Sciences to painting, the influence of family memory, and why birds and old houses continue to appear in her work. She shares how observation, color, and lived experience shape her process, and what it means to carry images of Lebanon beyond its borders.
In this interview, Sokhna Mariama talks about migration, nature, and working across different mediums. She shares how her life between Dakar and Italy shaped her way of seeing, how ideas guide her process, and how her projects invite people to take part rather than only observe.
In this interview, Elodie Martin talks about how her childhood in Arles, her time exploring visual arts and her return to hand embroidery all come together in the pieces she creates today. She explains how she chooses her materials, how she moves between Lunéville crochet and needle work, and how works like Splinters of rose form a space where memory, care and the pace of nature meet. Her insights offer a close look at the thoughtful, steady way she builds stories through thread.
Sometimes the habits we hold onto sneak up on us without us even noticing. As artists, we carry routines, little thought patterns, and mental pressures that quietly shape our work in ways we do not always see. Some of these habits drain our energy, stall creativity, or keep ideas from fully coming to life. Noticing them is not about guilt or blame. It is about understanding how our own actions quietly influence the work we make and the way we feel about it. Letting go of habits that do not serve…
In this interview, Daniela Tovar talks about the early paths that shaped her work, from theatre and music to design and years of training in drawing and painting. She shares how watercolour became the medium that suited her way of working and how travelling to learn from different teachers pushed her to grow in unexpected ways. Her insights reveal how painting and illustration each give her a way to tell stories and connect with others.
They say not every door is meant to be knocked on, and that’s especially true in the art world. The gallery system can look like a ladder, but it’s more like a network of rooms , each with its own energy, audience, and expectations. Knowing which one to step into at your current stage isn’t just strategy, it’s self-awareness. Many artists waste years chasing galleries that don’t align with where they are yet. They send portfolios to top-tier spaces that only work with established names, or they settle for venues that…
If you’ve ever wondered why some artists’ prices seem to rise steadily while others stay flat, it usually comes down to one unglamorous but powerful thing: consistency. Not just in how often they create, but in how they show up, communicate, and build trust with their audience. Consistency doesn’t make headlines, but it’s the backbone of every sustainable art career. Collectors, curators, and even followers learn what to expect from consistent artists. Their work carries a rhythm, a visual or emotional through-line that says, you can rely on me to show…
You’ve got your portfolio already, but what if it could be better, sharper, more you? That’s where continuing education steps in. Courses and workshops aren’t just about learning new techniques; they’re the secret sauce that adds depth, clarity, and confidence to your work. Imagine walking into a class and hearing perspectives that push you, an instructor says, “What if you flip that color gradient?” or a peer asks, “Why did you choose that composition?” Those moments shift how you see your own art. From weekend intensives to semester-long studio courses, these…
Have you noticed how your phone feels like a little art gallery now? Every few weeks there’s a new app, a fun filter, or some online space where people are showing and making art in ways that didn’t even exist a few years ago. The way artists share their work is changing fast, and it’s not just about posting on Instagram anymore, it’s opening up whole new ways of being seen. Take Wplace, for example. It’s this giant online canvas where people from all over the world add their own doodles,…
Ever catch yourself staring at your own work and thinking, “Is this even good enough?” Yeah, that little whisper isn’t imaginary. It’s self-doubt, and for women artists, it tends to crash the studio like an uninvited guest. You’ve probably tried ignoring it, scrolling past it, or telling yourself, “Just focus on the art.” But it sticks. And the more you push, the louder it gets. Here’s the twist, self-doubt doesn’t mean you’re failing. It’s more like a foggy mirror that makes you question what’s already right in front of you. That…
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