In this interview, Elodie Martin talks about how her childhood in Arles, her time exploring visual arts and her return to hand embroidery all come together in the pieces she creates today. She explains how she chooses her materials, how she moves between Lunéville crochet and needle work, and how works like Splinters of rose form a space where memory, care and the pace of nature meet. Her insights offer a close look at the thoughtful, steady way she builds stories through thread.
In this interview, Daniela Tovar talks about the early paths that shaped her work, from theatre and music to design and years of training in drawing and painting. She shares how watercolour became the medium that suited her way of working and how travelling to learn from different teachers pushed her to grow in unexpected ways. Her insights reveal how painting and illustration each give her a way to tell stories and connect with others.
Ever stared at your artwork, tilted your head, and thought, “Hmm… something’s off, but I can’t put my finger on it?” It’s like your art is trying to whisper something… but in a language you haven’t fully translated yet. That, my friend, is the sweet chaos of art revision. It’s not about fixing mistakes, it’s about deepening your connection to the work. And while artists don’t always call it “editing” the way writers do, we do it just the same: we adjust, tweak, scrape, layer, pause, and return with fresh eyes.…
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