Tag: exhibition planning
In 2024, as reported by Artsy, galleries worldwide are becoming increasingly selective, with nearly 60 percent of reviewed portfolios receiving only preliminary consideration before deeper evaluation. The scrutiny reflects not just the quality of work but how it aligns with the gallery’s ongoing narrative, institutional relationships, and collector expectations. Understanding what galleries are prioritizing offers insight into how artists’ practices intersect with broader market and curatorial logics. Portfolios no longer exist in isolation. They are read in the context of exhibitions, past sales, and institutional visibility. Galleries act as both tastemakers…
“A new leaf” signals fresh beginnings, and for artists, January offers a chance to reset, reflect, and let curiosity lead the way. The month often feels quieter in the studio, a moment to pause before schedules fill and deadlines press in. Even in this calm, the art world continues to move, opening opportunities to encounter ideas, techniques, and perspectives that can expand thinking and influence how work develops in the months ahead. Exhibitions opening in this period highlight what is resonating culturally, showcasing approaches that can illuminate unexpected connections in an…
Choosing which open calls, exhibitions, or opportunities to pursue is rarely straightforward. The art world is full of invitations, submissions, and deadlines, all promising exposure, recognition, or a boost to your career. But not every call actually moves the needle. It is easy to chase opportunities just because they are visible or prestigious, without pausing to consider whether they align with your vision, your audience, or your long-term goals. Understanding the difference between noise and value is essential. Some calls bring nothing but temporary visibility, while others can connect you with…
Have you ever wondered, “When do they actually decide who gets in?” You submit your work, wait a few weeks, then a few more, checking your inbox like it’s part of your daily routine. Most artists don’t realize curators are running on a completely different clock , one that rarely matches your creative rhythm. The exhibition world moves like an academic calendar, but no one hands you the syllabus. Some curators plan a full year ahead, while others work in short, intense bursts tied to funding cycles or venue availability. By…
Walk into any gallery quietly and just watch for a moment. Notice how the walls don’t feel neutral at all , they hum with a kind of personality. The way pieces are hung, the rhythm of the room, even the pauses between artworks say something about what that space values. Some walls whisper restraint, others pulse with risk, and a few shout with unapologetic boldness. If you pay attention, you realize galleries are speaking long before you ever meet the curator. Now imagine sending your portfolio into that space without first…