Tag: Faces exhibition

Mahony Maia Kiely creates women’s faces directly in red desert sand, casting them in plaster before the wind erases them. Rooted in decades of working with land, community, and story, her practice moves between sculpture, performance, and ceremony, listening closely to place and transforming fleeting marks in the earth into lasting forms that honour memory, connection, and the voices the land holds.

Selected for our Faces exhibition, Michele Rogers works with repurposed barn wood, scrap metal, and unpredictable materials she refuses to control. Instead of erasing their history, she lets every scratch and dent remain, building sculptures that honor survival, surrender, and the quiet necessity of making.

For decades, Nerea Azanza couldn’t create. Not because she stopped loving art, but because a medical mistake silenced the part of her that made it possible. When her creativity finally returned, she didn’t paint loudly. She painted tiny human faces fragile, almost dissolving into vast spaces of line and structure. Because to her, we are dust in a universe we barely respect. And humility, after everything, felt necessary.

Nadja Eleonora Milsten’s work sits in the space between doubt and trust. Her watercolor figures feel present but unfinished, shaped as much by emotion as by restraint. Some of her strongest paintings are the ones she almost abandoned—set aside for months until time changed how she saw them. Moving from oils to watercolor during a turning point in her life, she stopped painting for expectation and began painting from instinct. Her practice isn’t about certainty. It’s about letting doubt exist, stepping away when needed, and trusting that what doesn’t make sense…

Nena Lang creates paintings that feel less like images and more like emotional presence. Built through layers scraped, pressed, and reworked with knives and rigid rulers, her works give form to what cannot be spoken moments when holding everything inside becomes impossible and painting becomes the only way forward.

Olga Hiiva paints the faces that were never allowed to remain. Working on tablecloths, nightgowns, and worn domestic fabrics, she restores presence to lives erased by violence and silence. Her portraits are not memorials of suffering, they are acts of return, carrying grief, love, and survival across generations, and insisting that what was meant to vanish is still here.

Selected for our Faces exhibition, Tanya Shark’s work stood out because it bypasses surface identity. Through animals rendered with quiet intensity, she captures emotional states people recognize instantly but struggle to name. Her late return to painting isn’t a limitation it’s the reason her work carries such depth and restraint.

Selected for our Faces exhibition, Moreya’s work stood out for its intensity and refusal to comfort. Rooted in instinct, shadow, and transformation, her paintings reveal the parts of ourselves we’re taught to hide and dare us to look anyway.

Time is almost up! Submit your work to Faces before November 25, 2025. This is a chance for women-identifying and non-binary artists to explore identity, expression, and emotion through faces whether portraits, abstract forms, or conceptual interpretations. Your art could inspire, move, and connect audiences across the globe.