Some paintings ask you to admire them. Sally Edmonds’ work asks you to look back. By removing every distraction, she brings you face to face with a bird as an individual present, aware, impossible to ignore. What seems simple at first becomes something else entirely: a moment of recognition, where a subject you’ve overlooked your whole life suddenly feels personal.
Paloma Ripollés doesn’t paint what she sees she paints what moves through her. Years of training gave her precision, but it’s her instinct that gives the work life. Using a spatula instead of a brush, she builds color in layers that feel like they’re vibrating, shifting, breathing. She never uses black, choosing instead to create depth through living colour. The result is work that doesn’t just sit on the surface it exists in a state of movement, where emotion, memory, and perception merge. What you see isn’t just a place or…
Elizabeth Bessant’s work carries the weight of time lived outside the studio. After stepping away from fine art for 28 years to raise her son and build a career in couture, she returned with a language shaped by layering, fabric, and careful construction. Her mixed-media pieces weave together printmaking, fashion, and painting, where birds appear not as subjects but as quiet witnesses to domestic life. Familiar yet overlooked, they hold traces of memory, longing, and presence. Her work is not about starting over it’s about returning with everything you’ve gathered along…
Selected for our Birds virtual exhibition, Jennifer Holmes’ work stood out for its softness and restraint. Through flowers, animals, and light, she builds visual narratives that value stillness, mystery, and emotional depth over spectacle.
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