Tag: open calls

Nov 23
How Artists Can Find Residencies, Open Calls, and Grants Early

Opportunities in the art world rarely just fall into your lap. The difference between feeling stuck and actually getting ahead often comes down to noticing the little things that others miss. Spotting global residencies, open calls, or exhibitions before everyone else is not about luck, it’s about paying attention, staying organized, and building small habits that add up. Once you start seeing the patterns, you realize it’s less stressful and more about being deliberate with your time and energy. It all begins with knowing where to look. The signs are subtle.…

Nov 20
How to Write an Artist Statement (and Why It Matters)

Most artists know the uneasy feeling of trying to update an old artist statement and not knowing where to start. It sits on your desktop for months because every attempt feels either too stiff or too vague. You read it back and feel disconnected from the words, even though they are supposed to represent you. That gap between who you are now and what the statement says becomes wider over time. It is frustrating in a quiet, familiar way. You know it needs to change, but the process feels heavier than…

Oct 16
The One Thing That Builds an Artist’s Market Value

If you’ve ever wondered why some artists’ prices seem to rise steadily while others stay flat, it usually comes down to one unglamorous but powerful thing: consistency. Not just in how often they create, but in how they show up, communicate, and build trust with their audience. Consistency doesn’t make headlines, but it’s the backbone of every sustainable art career. Collectors, curators, and even followers learn what to expect from consistent artists. Their work carries a rhythm, a visual or emotional through-line that says, you can rely on me to show…

Aug 20
Is It Really Necessary To Add Videos to Your Art Portfolio?

Think about the last time you flipped through someone’s art portfolio online. Did you quickly scroll through the images and then move on? That’s exactly what happens to most portfolios today. A flat set of images is fine, but in a world where we’re constantly consuming video and dynamic media, static photos often fall short. They don’t capture the story, the energy, or the magic behind the work. If you’ve ever thought, “My art looks so much better in person,” you already know the frustration. Photographs can’t always show texture, scale,…

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