Mahony Maia Kiely creates women’s faces directly in red desert sand, casting them in plaster before the wind erases them. Rooted in decades of working with land, community, and story, her practice moves between sculpture, performance, and ceremony, listening closely to place and transforming fleeting marks in the earth into lasting forms that honour memory, connection, and the voices the land holds.
Sharon James talks about returning to her practice after early motherhood, painting family life in rural Dorset and making space for stories often missing in British art. From IVF to raising a queer family in a mostly white area, she shares what it means to be seen without needing to explain or justify anything, and how she is helping other global majority artists find grounding and visibility too.
In this interview, London-based artist Nazanin Moradi talks about how movement guides everything she makes. She shares her path from early painting classes in Iran to a practice that weaves together oil painting, digital work, and performance. Her process is about flow, patience, and finding meaning in change.
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