Sharon James talks about returning to her practice after early motherhood, painting family life in rural Dorset and making space for stories often missing in British art. From IVF to raising a queer family in a mostly white area, she shares what it means to be seen without needing to explain or justify anything, and how she is helping other global majority artists find grounding and visibility too.
In this interview, London-based artist Nazanin Moradi talks about how movement guides everything she makes. She shares her path from early painting classes in Iran to a practice that weaves together oil painting, digital work, and performance. Her process is about flow, patience, and finding meaning in change.
In this conversation, painter Lee Mohr shares how her connection to nature guides her work — from her early years in Alaska to her current studio practice in the Pacific Northwest. She talks about the calm of painting, the balance between structure and intuition, and how place continues to shape the way she sees the world.
At small shows, you can always spot the collectors. They move slowly, eyes lingering, heads tilting just slightly. They’re not rushing toward a sale, they’re trying to understand. They’ll glance from the painting to the artist, then back again, as if looking for a quiet match between what’s seen and what’s felt. Before they buy anything, they want to sense that the person behind the work is real, steady, and creating from somewhere honest. For women artists still finding their place, that kind of presence matters more than people realize. Collectors…
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