Martine Jansen doesn’t fill space, she creates it. Through layered pastel paintings and restrained sculpture, her work proves that silence, patience, and refusal to overexplain can carry more weight than noise ever could.
Selected for our Faces exhibition, Moreya’s work stood out for its intensity and refusal to comfort. Rooted in instinct, shadow, and transformation, her paintings reveal the parts of ourselves we’re taught to hide and dare us to look anyway.
While reviewing submissions for our virtual exhibition Birds, hosted on Women in Arts Network, Severine Pineaux’s work stopped us mid-scroll and not for the reasons you’d expect. Her paintings didn’t give us beautiful birds in realistic detail or poetic interpretations of flight. They gave us something far more unsettling: trees with human faces, animals merged with mechanical parts, beings that existed in multiple states at once. At first glance, you might think you’re looking at fantasy. But the longer you stay with her work, the more you realize she’s not painting…
Selected for our Birds virtual exhibition, Jennifer Holmes’ work stood out for its softness and restraint. Through flowers, animals, and light, she builds visual narratives that value stillness, mystery, and emotional depth over spectacle.
Malu Urruspuru paints from instinct rather than concept. Her birds, animals, and faces emerge from feeling, not performance offering a deeply human reflection on creativity, limitation, and the strength found in beginning again.
For Stephanie Swilley, art and care are inseparable. Her practice weaves beauty, ecological awareness, and mutual aid into a single gesture proving that tenderness can be radical, and art can help reshape how we live together.
Mandi's studio isn't what you'd picture when you think of an artist's workspace. Walk through the door and you're hit with mess. Real mess. Papers piled on papers, images cut partway through, notes written in whatever state of mind she was in at the time. In this studio visit, the multidisciplinary artist explains why her space looks the way it does and what all that disorder actually makes possible. She talks about how thoughts move from her journals onto canvas without getting squeezed into a plan, why she works on several…
In this studio visit, we step into the working world of a Brazilian clinical psychologist and visual artist Bruna Gazzi Costa who paints between therapy sessions and long, quiet weekends. She shares how listening shapes her practice, why acrylic paint fits her routine, and how working inside a shared art space during the pandemic helped her stay steady. From early morning light to unfinished canvases waiting on the walls, this conversation offers a look at a studio shaped by time, care, and daily life.
We’re All Browsing on Our Phones Whether we’re curled up on the couch, waiting in line at the grocery store, or sneakily checking our phones in meetings, mobile browsing has taken over. Your future client, gallery owner, or fellow artist is probably discovering your work while scrolling between emails or during their commute. If your portfolio isn’t mobile-optimized, you’re missing the moment when curiosity turns into connection. A sleek website that looks incredible on a desktop but falls apart on a phone is like a beautifully painted canvas crammed into a…
What’s This Portfolio Actually For? Let’s be real, figuring out how long your portfolio should be is a bit like packing for a trip. Too little and it feels like you’re underprepared, too much and it becomes a hassle to carry. The truth? There’s no one-size-fits-all answer. It all depends on where your portfolio’s going and who’s flipping through it. Are you applying for a residency, a grant, or finally updating that website your cousin’s been nagging you about since 2022? Every opportunity has its own expectations, and that changes the…
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