In this interview, Daniela Tovar talks about the early paths that shaped her work, from theatre and music to design and years of training in drawing and painting. She shares how watercolour became the medium that suited her way of working and how travelling to learn from different teachers pushed her to grow in unexpected ways. Her insights reveal how painting and illustration each give her a way to tell stories and connect with others.
When a place stays with us, it leaves a mark on memory, on imagination, on art. The Women in Arts Network invites women-identifying and non-binary artists to explore the theme “Landscapes & Places” in our international virtual exhibition. Whether real, remembered, or imagined, these spaces shape who we are and how we see the world. Submit your work and share the places that live inside you.
Deadline Extended! You now have until December 30th to submit your work for the “Faces” exhibition. This is your chance to share your unique vision, join a global community of artists, and have your work featured alongside extraordinary creations from around the world. Don’t miss the opportunity to be part of this inspiring showcase every face tells a story, and we want to see yours.
Most artists know the uneasy feeling of trying to update an old artist statement and not knowing where to start. It sits on your desktop for months because every attempt feels either too stiff or too vague. You read it back and feel disconnected from the words, even though they are supposed to represent you. That gap between who you are now and what the statement says becomes wider over time. It is frustrating in a quiet, familiar way. You know it needs to change, but the process feels heavier than…
Take a step inside the working studio of painter Marcella Granick, where canvases sit in every stage and ideas move from quick notes to full figures at their own pace. Marcella talks through her setup, her habits, and the small details that shape her process, giving a close look at how she works in a room that feels lived-in, honest, and full of slow, steady movement.
Take a look at the inspiring Faces submissions arriving from artists around the world. Through portraits, abstractions, and expressive forms, these works uncover vulnerability, strength, culture, and connection reminding us that every face holds a story worth seeing.
Remember that feeling when you’re standing on the edge of something vast, sea, cliff, sky, and for a moment nothing else matters? That’s the world that Caspar David Friedrich often invites us into. Born in 1774 in northern Germany, Friedrich became one of the key figures of the German Romantic movement.What he did differently was simple yet profound: he stopped treating landscapes as just backdrops and made them the main subject. Mountains, mist, sea, these were not just places, they were experiences. His paintings were slower than many modern works, built…
We chose the theme “Faces” to celebrate visibility, vulnerability, and connection. This exhibition is a call to artists everywhere to bring faces to life not just as images, but as reflections of emotion, identity, and the shared human experience.
They say your work should speak for itself, but in reality, the words that accompany it often decide who actually listens. The exhibition text, that small paragraph on the wall, the label beside your piece, or the short description on a gallery website, carries far more weight than most artists imagine. It doesn’t just explain your work, it shapes how people approach it. Before a viewer has even looked long enough to feel something, those few lines have already told them how to see. Think about it, two artists might create…
Take a look at the powerful Faces submissions that are coming in from artists worldwide. Through portraits, abstract forms, and expressive interpretations, these works reveal vulnerability, strength, culture, and connection showing that every face carries a story worth seeing.
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