Tag: visual storytelling
Lauryna Rakauskaitė creates luminous portraits that shift the idea of what a face can hold, not weight or tension, but warmth, stillness, and quiet presence. Her paintings glow from within, using soft color, open space, and gentle gestures to create an emotional atmosphere rather than a fixed narrative. After more than a decade away from art, she returned to painting with urgency, driven by something she could no longer ignore. This return brings a freshness to her work, where exploration and intuition guide each piece. Rather than directing emotion, she allows…
Ligia Fascioni creates layered portraits that merge photorealism with hand-drawn floral and figurative elements over real urban textures. Using photographs of the Berlin Wall and torn street posters, she builds faces on surfaces rich with history and meaning. Each piece reflects the idea that identity is formed through layers—cultural, emotional, and historical. With a background in engineering and design, her work is both structured and deeply expressive. Her compositions transform decay into beauty, turning overlooked materials into powerful foundations. The result is art that invites viewers to look closer and uncover…
Selected for our Faces exhibition, Lisa Matway creates bold abstract faces layered in vivid pinks, purples, and oranges that pulse with emotion. Her work is deeply rooted in her husband Jerry’s journey with Parkinson’s, exploring the gap between a face that appears still and the life that continues beneath it. Through exaggerated features, layered textures, and unapologetic color, she restores expression where the condition tries to take it away. Each piece begins with shared conversations, translating lived experience into visual form. What started as a personal outlet has grown into modart4pd,…
Nicole Garcia blends gothic and whimsy into bold, imaginative portraits and mixed media works. Her art celebrates strangeness, play, and fearless self-expression
Patricia Frederick makes a mark on canvas and then waits to see what it wants to become. In this interview, the retired art educator talks about her process-based approach to painting, the difficulty of trusting gut feeling over years of design training, and how her work has turned into a way of investigating consciousness. She discusses what happens when paintings show her thoughts before she recognizes them, why she stays away from anything resembling a horizon line, and what she means when she says her work is supposed to act as…
In this interview, Lebanese visual artist Rania El Osta speaks about moving from Medical Sciences to painting, the influence of family memory, and why birds and old houses continue to appear in her work. She shares how observation, color, and lived experience shape her process, and what it means to carry images of Lebanon beyond its borders.
Landscape And Places The Women in Arts Network is pleased to share an early look at the submissions arriving for our upcoming International Virtual Exhibition, Landscape and Places. Artists from across regions, cultures, and creative disciplines have begun responding to the open call, each bringing a personal interpretation of place shaped by experience, memory, and observation. The works received so far reveal how deeply landscape influences artistic expression. Some submissions focus on expansive natural environments, while others explore small, often overlooked spaces that carry emotional weight. Together, they form a visual…
This article features five photographers working across landscape, fashion, and documentary photography, each known for a steady and considered approach to their work. From long days in remote terrain to carefully planned studio shoots, their images come from time spent learning places, building trust, and paying close attention to detail. Together, their work shows how patience, consistency, and experience continue to matter.
In this interview, Sokhna Mariama talks about migration, nature, and working across different mediums. She shares how her life between Dakar and Italy shaped her way of seeing, how ideas guide her process, and how her projects invite people to take part rather than only observe.
In 2024, as reported by Artsy, galleries worldwide are becoming increasingly selective, with nearly 60 percent of reviewed portfolios receiving only preliminary consideration before deeper evaluation. The scrutiny reflects not just the quality of work but how it aligns with the gallery’s ongoing narrative, institutional relationships, and collector expectations. Understanding what galleries are prioritizing offers insight into how artists’ practices intersect with broader market and curatorial logics. Portfolios no longer exist in isolation. They are read in the context of exhibitions, past sales, and institutional visibility. Galleries act as both tastemakers…