Tag: women artists

Jan 24
If You Think Success Means Staying in Your Lane, This Artist Proved It Wrong I Martine Jansen

Martine Jansen doesn’t fill space, she creates it. Through layered pastel paintings and restrained sculpture, her work proves that silence, patience, and refusal to overexplain can carry more weight than noise ever could.

Jan 22
Why Artists Today Are Willing to Be Misunderstood If It Means Being Real I Moreya

Selected for our Faces exhibition, Moreya’s work stood out for its intensity and refusal to comfort. Rooted in instinct, shadow, and transformation, her paintings reveal the parts of ourselves we’re taught to hide and dare us to look anyway.

Jan 20
Some Things Don’t Need Solutions! They Need Acceptance I Severine Pineaux

While reviewing submissions for our virtual exhibition Birds, hosted on Women in Arts Network, Severine Pineaux’s work stopped us mid-scroll and not for the reasons you’d expect. Her paintings didn’t give us beautiful birds in realistic detail or poetic interpretations of flight. They gave us something far more unsettling: trees with human faces, animals merged with mechanical parts, beings that existed in multiple states at once. At first glance, you might think you’re looking at fantasy. But the longer you stay with her work, the more you realize she’s not painting…

Jan 17
Seeing a Leonardo da Vinci Painting in Real Life Changed How She Saw Art Forever I Jennifer Holmes

Selected for our Birds virtual exhibition, Jennifer Holmes’ work stood out for its softness and restraint. Through flowers, animals, and light, she builds visual narratives that value stillness, mystery, and emotional depth over spectacle.

Jan 15
The Challenge of Beginning Again Is What Keeps Creative Practice Alive I Malu Urruspuru

Malu Urruspuru paints from instinct rather than concept. Her birds, animals, and faces emerge from feeling, not performance offering a deeply human reflection on creativity, limitation, and the strength found in beginning again.

Jan 13
If You’re Scared of Being Limited as an Artist! Read This I Stephanie Swilley

For Stephanie Swilley, art and care are inseparable. Her practice weaves beauty, ecological awareness, and mutual aid into a single gesture proving that tenderness can be radical, and art can help reshape how we live together.

Jan 06
This artist spent years teaching art rules then broke them all in her own studio

Patricia Frederick makes a mark on canvas and then waits to see what it wants to become. In this interview, the retired art educator talks about her process-based approach to painting, the difficulty of trusting gut feeling over years of design training, and how her work has turned into a way of investigating consciousness. She discusses what happens when paintings show her thoughts before she recognizes them, why she stays away from anything resembling a horizon line, and what she means when she says her work is supposed to act as…

Jan 05
Submit Now To Become Our Artist Of The Month For January 2026

The start of a new year carries possibility. Artist of the Month invites women artists to step forward, share their work, and begin the year by trusting their creative voice.

Jan 04
A studio where nothing is organized and that’s the point

Mandi's studio isn't what you'd picture when you think of an artist's workspace. Walk through the door and you're hit with mess. Real mess. Papers piled on papers, images cut partway through, notes written in whatever state of mind she was in at the time. In this studio visit, the multidisciplinary artist explains why her space looks the way it does and what all that disorder actually makes possible. She talks about how thoughts move from her journals onto canvas without getting squeezed into a plan, why she works on several…

Jan 01
A talk About Houses, Birds and Time with Artist Rania El Osta

In this interview, Lebanese visual artist Rania El Osta speaks about moving from Medical Sciences to painting, the influence of family memory, and why birds and old houses continue to appear in her work. She shares how observation, color, and lived experience shape her process, and what it means to carry images of Lebanon beyond its borders.

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