Tag: Women in Arts Network

Jan 24
If You Think Success Means Staying in Your Lane, This Artist Proved It Wrong I Martine Jansen

Martine Jansen doesn’t fill space, she creates it. Through layered pastel paintings and restrained sculpture, her work proves that silence, patience, and refusal to overexplain can carry more weight than noise ever could.

Jan 22
Why Artists Today Are Willing to Be Misunderstood If It Means Being Real I Moreya

Selected for our Faces exhibition, Moreya’s work stood out for its intensity and refusal to comfort. Rooted in instinct, shadow, and transformation, her paintings reveal the parts of ourselves we’re taught to hide and dare us to look anyway.

Jan 20
Some Things Don’t Need Solutions! They Need Acceptance I Severine Pineaux

While reviewing submissions for our virtual exhibition Birds, hosted on Women in Arts Network, Severine Pineaux’s work stopped us mid-scroll and not for the reasons you’d expect. Her paintings didn’t give us beautiful birds in realistic detail or poetic interpretations of flight. They gave us something far more unsettling: trees with human faces, animals merged with mechanical parts, beings that existed in multiple states at once. At first glance, you might think you’re looking at fantasy. But the longer you stay with her work, the more you realize she’s not painting…

Jan 17
Seeing a Leonardo da Vinci Painting in Real Life Changed How She Saw Art Forever I Jennifer Holmes

Selected for our Birds virtual exhibition, Jennifer Holmes’ work stood out for its softness and restraint. Through flowers, animals, and light, she builds visual narratives that value stillness, mystery, and emotional depth over spectacle.

Jan 15
The Challenge of Beginning Again Is What Keeps Creative Practice Alive I Malu Urruspuru

Malu Urruspuru paints from instinct rather than concept. Her birds, animals, and faces emerge from feeling, not performance offering a deeply human reflection on creativity, limitation, and the strength found in beginning again.

Jan 13
If You’re Scared of Being Limited as an Artist! Read This I Stephanie Swilley

For Stephanie Swilley, art and care are inseparable. Her practice weaves beauty, ecological awareness, and mutual aid into a single gesture proving that tenderness can be radical, and art can help reshape how we live together.

Dec 01
Submissions Are Now Open for Artist of the Month — December 2025

Let your art mark a powerful ending to 2025 and an inspiring beginning to what comes next. Submissions for Artist of the Month December 2025 are open, share your voice and your vision.

Nov 20
Only 5 Days Left to Submit Your Work to the International Virtual Exhibition: Faces

Time is almost up! Submit your work to Faces before November 25, 2025. This is a chance for women-identifying and non-binary artists to explore identity, expression, and emotion through faces whether portraits, abstract forms, or conceptual interpretations. Your art could inspire, move, and connect audiences across the globe.

Nov 17
Why Does This Artist Love Painting Dead Birds? I Cecelia Wilken

Cecelia Wilken found her way back to art after a medical separation from military service and becoming a mother, using painting as a path to heal and reclaim her identity. Her work explores impermanence, transformation, and the beauty in decay, often confronting themes many shy away from, including death and grief. Through surreal imagery and emotional storytelling, she balances discomfort with tenderness, inviting viewers to reflect and feel deeply. Cecelia creates for herself first, embracing imperfection and trusting intuition over market trends. Bold choices, like painting dead birds, become symbolic explorations…

Nov 13
How This Artist Balances Her Day Job and Art Career Successfully I Michele Leung

Michele Leung bridges the structured worlds of engineering and finance with the expressive depth of oil painting, transforming discipline into creativity. Her work balances precision and emotion, building compositions with patience, intentionality, and layered brushwork that captures the quiet strength of her subjects. Pieces like The Unyielding Gaze reveal resilience that is internal and reflective, not performative. In her Hong Kong studio, classical music guides her process, helping her surrender to the rhythm of creation and focus deeply on each layer. Michele’s practice has taught her that meaning unfolds slowly, that…

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