Tag: women in contemporary art

Selected for our Faces exhibition, Tanya Shark’s work stood out because it bypasses surface identity. Through animals rendered with quiet intensity, she captures emotional states people recognize instantly but struggle to name. Her late return to painting isn’t a limitation it’s the reason her work carries such depth and restraint.

Taylor Katzman paints what lives between guilt and forgiveness. Through expressive faces and bold acrylics, her work holds emotional tension without resolving it, creating space for viewers to bring their own unfinished stories.

Selected for our Faces exhibition, Moreya’s work stood out for its intensity and refusal to comfort. Rooted in instinct, shadow, and transformation, her paintings reveal the parts of ourselves we’re taught to hide and dare us to look anyway.

Selected for our Birds virtual exhibition, Jennifer Holmes’ work stood out for its softness and restraint. Through flowers, animals, and light, she builds visual narratives that value stillness, mystery, and emotional depth over spectacle.

Malu Urruspuru paints from instinct rather than concept. Her birds, animals, and faces emerge from feeling, not performance offering a deeply human reflection on creativity, limitation, and the strength found in beginning again.

The gender gap is real. You’re not overthinking it. If you’ve ever looked around at an exhibition lineup or flipped through an art fair catalog and quietly wondered why there are still so few women, your instinct was right. The numbers back it up, and they’ve been doing so for years. But understanding how to read those numbers is where things start to get really interesting. Art market reports love clean charts and polished graphs, but behind those visuals are messy truths. They show that for every celebrated female artist, there…

So here’s the thing: starting an art career as a woman comes with a whole manual of unspoken rules that no one bothers to hand you. Professors might talk about composition and critiques, but they rarely cover what to do when a gallery offers you “exposure” instead of a paycheck, or when you realise your male peers are charging double for work that’s the same size as yours. It’s not that women artists aren’t talented or driven; it’s that the system comes with invisible speed bumps you only notice once you’ve…