Quote

My inspiration comes from introspection and the act of being present within the body, as well as con

Details

    I am a contemporary painter whose practice explores the profound dialogue between mind and body through self-introspective works that blend figurative representation with meditative symbolism. My artistic journey began in high school and was refined through formal studies at Doane University, Nebraska, and during my studies for my Masters in Fine Arts at Fort Hays State University, Kansas, where I developed technical mastery in oil painting and watercolor. Currently serving as Assistant Professor of Fine Arts and Design at Sterling College, Kansas, I create vibrant, expressive paintings that investigate how mindful practice can serve as both refuge and resistance against internal and external pressures on the human experience.

    My work focuses on the balance of communication between the mind and the body. I perform physical activities such as swimming, biking, running, and other repetitive exercises as a form of meditation that focuses on my body's awareness and healing. Finding a balance between how aware I am of my body is crucial. Body scan meditations signals to our minds that our body needs attention and a call to action.

    I create a reflection of my meditation practices through my art. Many of my paintings show a figure repeated multiple times at various stages of the exercise. Painting is a meditative experience, similar to my meditative exercises. Painting requires concentration, awareness, and trust in intuition. Through the painting process, I will repaint the figures multiple times until the painting reaches maturation. The texture in my paintings is the physical representation of numerous experiments with brush strokes, color, and form. I am a scientist exploring multiple hypotheses. Many of my figures have varying degrees of representation that change throughout the painting. The change of representation shows the mind's journey through meditation and awareness of the body and its surroundings. I use high saturation and expressive brush strokes to represent the mind and more muted colors with softer marks for the body's consciousness. In addition, I use X-rays of my spine within my work that records a body scan meditation. During a body scan meditation, I allow my mind to freely explore what my body is speaking to me, including the pain in my back and shoulders that are represented by color and abstracted form.

    In my meditation experiences, I begin by being fully conscious of how my body feels; as I progress through the movements, my mind tends to wander beyond my body. I lose track of time in these moments, slowly drawing my attention back to my body and deciding if I should continue. The cycle will repeat many times until the pain is gone or I feel it is enough. The experience of meditation opens the mind to creativity, as many artists have discovered.

    Learning to describe the meditation exercises, I looked to the Futurism movement as a stylistic guide. Looking at a painting from the Futurism movement, we can see the different stages of action and the path the figure follows through the composition. I create the repeated figure by recording my exercises and rewatching the film to find frames in the video that show different stages of the body in motion. The frames from the video are placed together in a sequential order that forms the narrative of the meditation

    Through my artistic practice, I have deepened my exploration of the intricate dialogue between physical sensation and mental awareness. This body of work literally and metaphorically illuminates the transformative power of meditation through transparent papers, luminous color relationships and layered figures. By documenting these moments of mindful movement and translating them into compositions, I've developed a visual language that speaks to the ephemeral nature of physical awareness. Moving forward, my work investigates the societal pressures placed on women's bodies and minds within our communities, exploring how meditation can serve as both refuge and resistance.

    My inspiration comes from introspection and the act of being present within the body, as well as contemporary topics concerning women's bodies.

    SOLO SHOWS

    2025: Centripetal: The Return to the Self, Harry Krug Gallery, Pittsburg State University,  Pittsburg , Kansas
    2024: Centripetal,  Hesston College, Heston, Kansas

    GROUP SHOWS

    2025: The Female Gaze, Juried Show: DVAA Gallery, Philadelphia, Pennsylvania
    2024: Artistic Muscles, Group Juried Show:  Gallery 440, Brooklyn, New York

     

    PUBLICATIONS
    2025: 100 Emerging Artists: 2025 Women’s Edition- Arts to Hearts
    2025: "Arteles Catalogue"
    2025: "Time in Art: Capturing the Fourth Dimension" - Artist Magazine (May/Jun2025)
    2025: Pennsylvania State Journal of Arts and Sciences- Winter 2025 Issue
    2024: "Tracing is Not Cheating: A Review of Translucent Drawing and Painting Surfaces" - Artist Magazine (Nov/Dec 2024)

    ARTIST RESIDENCIES
    2025: (Anticipated) La Porte Peinte, Noyers sur Serein, France
    2024: La Porte Peinte, Noyers sur Serein, France
    2024: Silence Awareness Existence, Hämeenkyrö, Finland
    2023: Red Barn Studio Museum, Lindsborg, Kansas

Find Me
Portfolio
  • No available portfolio.
  • No comments yet.
  • Add a review
    Contact Info
    • Email
      16petersenk@gmail.com
    • Website
      https://www.katiepetersenart.com/

    You May Also Be Interested In

    🎊 Let’s Welcome 2025 Together 🎊 Flat 25% off!. View plan