Robin Assner-Alvey (b.1978, Massachusetts) is a practicing artist working with photography, video, and installation. She received her Bachelor of Fine Arts from the University of Connecticut (2000) and her Master of Fine Arts from the Ohio State University (2002). Her work examines corporality and asks viewers to consider the experience of living in their own skin. She experiments with various photographic processes to push the boundaries of what a photograph can be as well as to question what it means to be a woman. Throughout Robin’s art practice, she uses her personal experiences as a starting point for her ideas and then investigates those ideas photographically, usually using her own body. Her art has been exhibited in various solo and group shows throughout the United States. You can view her work on her website: www.robinassner-alvey.com.
Robin is also a Professor of Art in the Department of Art, Design, & Art History at Webster University in St. Louis, MO. She has been teaching at Webster since 2003 where she teaches all levels of photography and video. Robin loves experimenting with photography and pushing her students to investigate the limitless photographic possibilities. In 2017, she received the Emerson Excellence in Teaching Award and the William T. Kemper Award for Excellence in Teaching.
Starting during the pandemic when I had a newborn and a toddler, I felt an irresistible need to photograph myself. I use my own body in a frank and honest manner to reflect on maternal ambivalence and the toll that motherhood can have on a person. At the end of long days, when I was both physically and mentally exhausted and had nothing else to give, I stood in front of the camera to document what was left of myself. I explore this through the disjointed way that the photographs of the body are assembled. In the final images, my body appears dismembered, not in proper proportion, and has an underwater feel as if the person in the image is drowning and hanging on by a thread.
In this recent work, I use an image transfer technique where I print photographs of my body onto transparencies. I then use hand sanitizer to transfer fragments of the images into a composed work that is situated across several large pieces of paper. In a sense, I’m trying to put myself back together again, but finding out that the pieces just don’t fit like they used to. The resulting image is an amalgamation of pieces of my body that exposes the daily discomforts that I’ve gained by being a mother. This examination of what it means to be a mother and the process of managing all the baggage that comes with it is evident in the varied spontaneous markings on the body and its surroundings that are revealed during the transfer process. I lean into the experimental aspect of this process and revel in not knowing exactly what it is going to look like until I do it, which is like how I experience motherhood.
Selected Exhibitions:
🎊 Let’s Welcome 2025 Together 🎊 Flat 25% off!. View plan
Add a review