Tag: creative process

Patricia Frederick makes a mark on canvas and then waits to see what it wants to become. In this interview, the retired art educator talks about her process-based approach to painting, the difficulty of trusting gut feeling over years of design training, and how her work has turned into a way of investigating consciousness. She discusses what happens when paintings show her thoughts before she recognizes them, why she stays away from anything resembling a horizon line, and what she means when she says her work is supposed to act as…

Mandi's studio isn't what you'd picture when you think of an artist's workspace. Walk through the door and you're hit with mess. Real mess. Papers piled on papers, images cut partway through, notes written in whatever state of mind she was in at the time. In this studio visit, the multidisciplinary artist explains why her space looks the way it does and what all that disorder actually makes possible. She talks about how thoughts move from her journals onto canvas without getting squeezed into a plan, why she works on several…

In this interview, Lebanese visual artist Rania El Osta speaks about moving from Medical Sciences to painting, the influence of family memory, and why birds and old houses continue to appear in her work. She shares how observation, color, and lived experience shape her process, and what it means to carry images of Lebanon beyond its borders.

In this studio visit, we step into the working world of a Brazilian clinical psychologist and visual artist Bruna Gazzi Costa who paints between therapy sessions and long, quiet weekends. She shares how listening shapes her practice, why acrylic paint fits her routine, and how working inside a shared art space during the pandemic helped her stay steady. From early morning light to unfinished canvases waiting on the walls, this conversation offers a look at a studio shaped by time, care, and daily life.

In this interview, Sokhna Mariama talks about migration, nature, and working across different mediums. She shares how her life between Dakar and Italy shaped her way of seeing, how ideas guide her process, and how her projects invite people to take part rather than only observe.

Pencil drawing asks for patience, focus, and a steady hand. In this feature, we look closely at five contemporary pencil artists who use graphite and coloured pencil to create work that rewards slow looking. From quiet portrait studies to carefully observed figures and animals, these artists show how much can be achieved with restraint, discipline, and long-term dedication to a single medium.

In this interview, Elodie Martin talks about how her childhood in Arles, her time exploring visual arts and her return to hand embroidery all come together in the pieces she creates today. She explains how she chooses her materials, how she moves between Lunéville crochet and needle work, and how works like Splinters of rose form a space where memory, care and the pace of nature meet. Her insights offer a close look at the thoughtful, steady way she builds stories through thread.

In this interview, Daniela Tovar talks about the early paths that shaped her work, from theatre and music to design and years of training in drawing and painting. She shares how watercolour became the medium that suited her way of working and how travelling to learn from different teachers pushed her to grow in unexpected ways. Her insights reveal how painting and illustration each give her a way to tell stories and connect with others.

Watercolour has a gentle way of slowing us down. It asks us to look a little closer and let small moments guide the brush. In this article, we meet five women who each have their own relationship with the medium—whether they’re sketching gardens, carrying paint on the road, teaching beginners, or building a lifelong practice. Their styles differ, but they’re all connected by the simple act of noticing the world and returning to the page with care.

Stepping into Christine Dimaculangan’s studio feels like entering a quiet corner of her world. The air smells of oil paint and wood, and her walls are lined with studies, notes, and photographs that guide her next body of work. In this studio visit, she talks about her routines, the tools she keeps closest, the way she lets ideas settle, and how she moves through the space while working on several paintings at once. It is a warm look at how she builds her practice day by day, inside a room that…