Tag: creative process

In this interview, Daniela Tovar talks about the early paths that shaped her work, from theatre and music to design and years of training in drawing and painting. She shares how watercolour became the medium that suited her way of working and how travelling to learn from different teachers pushed her to grow in unexpected ways. Her insights reveal how painting and illustration each give her a way to tell stories and connect with others.

Watercolour has a gentle way of slowing us down. It asks us to look a little closer and let small moments guide the brush. In this article, we meet five women who each have their own relationship with the medium—whether they’re sketching gardens, carrying paint on the road, teaching beginners, or building a lifelong practice. Their styles differ, but they’re all connected by the simple act of noticing the world and returning to the page with care.

Stepping into Christine Dimaculangan’s studio feels like entering a quiet corner of her world. The air smells of oil paint and wood, and her walls are lined with studies, notes, and photographs that guide her next body of work. In this studio visit, she talks about her routines, the tools she keeps closest, the way she lets ideas settle, and how she moves through the space while working on several paintings at once. It is a warm look at how she builds her practice day by day, inside a room that…

In this conversation, collage maker Julia Kohane talks about how her images take shape from scattered fragments and why she is drawn to moments when memory slips into imagination. She shares how her mix of hand cut elements and digital finishing keeps her process fluid, why different cities sparked different conversations around her work, and how studying psychology and philosophy still guides the questions she brings to each piece.

Take a step inside the working studio of painter Marcella Granick, where canvases sit in every stage and ideas move from quick notes to full figures at their own pace. Marcella talks through her setup, her habits, and the small details that shape her process, giving a close look at how she works in a room that feels lived-in, honest, and full of slow, steady movement.

Spend a moment with Texas painter and teacher Lesa Shaw as she talks about how a sketch on her phone, a few color notes, and a curious mindset become paintings filled with life and imagination. In this interview, she shares how she balances planning with instinct, why she enjoys switching between oil, acrylic, and alcohol ink, and how her students keep her thinking fresh.

Five muralists from different backgrounds share how they shape public spaces with care, patience, and a strong sense of place. Their murals appear in airports, schools, city blocks, and small businesses, each shaped by real conversations and grounded attention to the communities they work with.

Sharon James talks about returning to her practice after early motherhood, painting family life in rural Dorset and making space for stories often missing in British art. From IVF to raising a queer family in a mostly white area, she shares what it means to be seen without needing to explain or justify anything, and how she is helping other global majority artists find grounding and visibility too.

In this feature, five painters show how abstract work can come from a life fully lived. Each of them looks closely at the world and finds something worth keeping. An afternoon sky. A chance encounter with a famous painting. A familiar shoreline. A color that changes your mood without asking permission. They play, experiment and let curiosity lead the way. Their paintings aren’t puzzles. They are places to rest your eyes and let your thoughts wander. Spend a little time with them and you may notice that you are seeing everyday…

Remember that feeling when you’re standing on the edge of something vast, sea, cliff, sky, and for a moment nothing else matters? That’s the world that Caspar David Friedrich often invites us into. Born in 1774 in northern Germany, Friedrich became one of the key figures of the German Romantic movement.What he did differently was simple yet profound: he stopped treating landscapes as just backdrops and made them the main subject. Mountains, mist, sea, these were not just places, they were experiences.  His paintings were slower than many modern works, built…