Tag: narrative art

Biaani Lopez creates luminous oil paintings where women, animals, and surreal landscapes merge into emotional inner worlds shaped by memory, spirituality, and intuition. Rooted in her life in San Luis Potosí, her work unfolds slowly through layered oil painting, meditation, and reflection, allowing each image to emerge as both personal and symbolic. Influenced by conversations with women and her own emotional experiences, she transforms feelings into color, gesture, and dreamlike environments that feel intimate yet universal. Animals, eggs, and fantastical settings become metaphors for creation, connection, uncertainty, and feminine identity. Rather…

Cristina Rodriguez creates collages that transform torn paper fragments into powerful reflections on women’s identity and lived experience. Working entirely by hand, she cuts, tears, and layers found images to build compositions that feel both chaotic and deeply intentional. Her process mirrors the fragmentation of memory and the complexity of personal and collective narratives, where meaning emerges through juxtaposition and reconstruction. Influenced by literature, art, and lived experience, her work moves between vulnerability and resistance, inviting viewers to find themselves within the layers. Rather than presenting complete or resolved images, her…

Elizabeth Bessant’s work carries the weight of time lived outside the studio. After stepping away from fine art for 28 years to raise her son and build a career in couture, she returned with a language shaped by layering, fabric, and careful construction. Her mixed-media pieces weave together printmaking, fashion, and painting, where birds appear not as subjects but as quiet witnesses to domestic life. Familiar yet overlooked, they hold traces of memory, longing, and presence. Her work is not about starting over it’s about returning with everything you’ve gathered along…

While reviewing submissions for our virtual exhibition Birds, hosted on Women in Arts Network, Severine Pineaux’s work stopped us mid-scroll and not for the reasons you’d expect. Her paintings didn’t give us beautiful birds in realistic detail or poetic interpretations of flight. They gave us something far more unsettling: trees with human faces, animals merged with mechanical parts, beings that existed in multiple states at once. At first glance, you might think you’re looking at fantasy. But the longer you stay with her work, the more you realize she’s not painting…