Tag: paper art

Marie Laforge creates imaginative mixed-media collages using vintage books, discarded magazines, and found paper to build playful visual worlds where people, flowers, animals, and everyday objects meet in unexpected ways. Growing up in the French Alps before studying Graphic Arts and Advertising in Paris, she discovered that collage offered a unique freedom to reinvent existing images and allow curiosity, chance, and imagination to shape each composition. Rather than beginning with a fixed narrative, Marie lets every collage evolve naturally as unrelated fragments find new relationships and meanings. Her work celebrates transformation,…

Cristina Rodriguez creates collages that transform torn paper fragments into powerful reflections on women’s identity and lived experience. Working entirely by hand, she cuts, tears, and layers found images to build compositions that feel both chaotic and deeply intentional. Her process mirrors the fragmentation of memory and the complexity of personal and collective narratives, where meaning emerges through juxtaposition and reconstruction. Influenced by literature, art, and lived experience, her work moves between vulnerability and resistance, inviting viewers to find themselves within the layers. Rather than presenting complete or resolved images, her…

Selected for our Faces exhibition, Limor Dekel creates striking sculptural faces using cardboard and repurposed paper, transforming discarded materials into expressive works full of life and movement. Trained in ceramic design at Bezalel Academy, her practice blends craftsmanship with experimentation. What began during the pandemic as a practical solution for teaching evolved into a defining artistic language rooted in freedom and sustainability. Her layered forms carry human energy, gesture, and emotion, often inspired by her background in dance and observation. By elevating humble materials, she challenges how we value both art…

For decades, Nerea Azanza couldn’t create. Not because she stopped loving art, but because a medical mistake silenced the part of her that made it possible. When her creativity finally returned, she didn’t paint loudly. She painted tiny human faces fragile, almost dissolving into vast spaces of line and structure. Because to her, we are dust in a universe we barely respect. And humility, after everything, felt necessary.