Tag: visual storytelling

Patricia Frederick makes a mark on canvas and then waits to see what it wants to become. In this interview, the retired art educator talks about her process-based approach to painting, the difficulty of trusting gut feeling over years of design training, and how her work has turned into a way of investigating consciousness. She discusses what happens when paintings show her thoughts before she recognizes them, why she stays away from anything resembling a horizon line, and what she means when she says her work is supposed to act as…

In this interview, Lebanese visual artist Rania El Osta speaks about moving from Medical Sciences to painting, the influence of family memory, and why birds and old houses continue to appear in her work. She shares how observation, color, and lived experience shape her process, and what it means to carry images of Lebanon beyond its borders.

Landscape And Places The Women in Arts Network is pleased to share an early look at the submissions arriving for our upcoming International Virtual Exhibition, Landscape and Places. Artists from across regions, cultures, and creative disciplines have begun responding to the open call, each bringing a personal interpretation of place shaped by experience, memory, and observation. The works received so far reveal how deeply landscape influences artistic expression. Some submissions focus on expansive natural environments, while others explore small, often overlooked spaces that carry emotional weight. Together, they form a visual…

This article features five photographers working across landscape, fashion, and documentary photography, each known for a steady and considered approach to their work. From long days in remote terrain to carefully planned studio shoots, their images come from time spent learning places, building trust, and paying close attention to detail. Together, their work shows how patience, consistency, and experience continue to matter.

In this interview, Sokhna Mariama talks about migration, nature, and working across different mediums. She shares how her life between Dakar and Italy shaped her way of seeing, how ideas guide her process, and how her projects invite people to take part rather than only observe.

In 2024, as reported by Artsy, galleries worldwide are becoming increasingly selective, with nearly 60 percent of reviewed portfolios receiving only preliminary consideration before deeper evaluation. The scrutiny reflects not just the quality of work but how it aligns with the gallery’s ongoing narrative, institutional relationships, and collector expectations. Understanding what galleries are prioritizing offers insight into how artists’ practices intersect with broader market and curatorial logics. Portfolios no longer exist in isolation. They are read in the context of exhibitions, past sales, and institutional visibility. Galleries act as both tastemakers…

“A new leaf” signals fresh beginnings, and for artists, January offers a chance to reset, reflect, and let curiosity lead the way. The month often feels quieter in the studio, a moment to pause before schedules fill and deadlines press in. Even in this calm, the art world continues to move, opening opportunities to encounter ideas, techniques, and perspectives that can expand thinking and influence how work develops in the months ahead. Exhibitions opening in this period highlight what is resonating culturally, showcasing approaches that can illuminate unexpected connections in an…

In this interview, Elodie Martin talks about how her childhood in Arles, her time exploring visual arts and her return to hand embroidery all come together in the pieces she creates today. She explains how she chooses her materials, how she moves between Lunéville crochet and needle work, and how works like Splinters of rose form a space where memory, care and the pace of nature meet. Her insights offer a close look at the thoughtful, steady way she builds stories through thread.

If you’ve been wondering whether your art belongs here, consider this your reassurance: it does. And more importantly, it’s wanted. Every submission so far has expanded this exhibition in ways we never expected, but there is still a space that only your perspective can fill. So if a place has shaped your heart, your imagination, or your identity, share that story through your work. Submit now, and let your landscape become part of a growing global dialogue about memory, meaning, and the worlds we carry within us.

Movies in winter is a cultural moment all its own. The long nights, the chill in the air, and the quiet hum of the world outside transform watching a film into an almost ritualistic experience. For artists, this moment becomes more than entertainment; it is a space to notice, reflect, and absorb. Every frame has a chance to settle into your mind like a quiet companion, offering subtle inspiration for your own creative practice. Indie films, in particular, shine in this context. Their carefully crafted worlds, deliberate pacing, and intimate storytelling…