Cristina Rodriguez creates collages that transform torn paper fragments into powerful reflections on women’s identity and lived experience. Working entirely by hand, she cuts, tears, and layers found images to build compositions that feel both chaotic and deeply intentional. Her process mirrors the fragmentation of memory and the complexity of personal and collective narratives, where meaning emerges through juxtaposition and reconstruction. Influenced by literature, art, and lived experience, her work moves between vulnerability and resistance, inviting viewers to find themselves within the layers. Rather than presenting complete or resolved images, her…
Faye Johansen’s practice begins with attention to nature, to material, and to the quiet traces things leave behind. Working across watercolour, collage, and handmade journals, she builds surfaces that carry both process and place. At the centre of her work is a powerful series of one hundred charcoal portraits of Indigenous children, drawn onto discarded books layered with torn maps, music notation, and fragments of text. Each material holds meaning, speaking to displacement, memory, and loss, while charcoal allows the faces to remain both present and fragile. Alongside this, her journals…
Heidi Weiss creates paintings that sit between memory and interruption, drawing from paused television stills and transforming them into fragmented, emotionally charged compositions. Cropping, distortion, and layered oil surfaces allow her to withhold information, leaving viewers inside unresolved moments that feel both familiar and distant. Influenced by her background in painting and fiber art, her process embraces repetition, slowness, and accumulation, building surfaces that echo the instability of memory itself. Rather than telling complete stories, her work focuses on what lingers, the quiet tension, the partial view, the feeling that something…
Jennifer Morgan transforms soft materials into strikingly lifelike portraits, using wool, beads, and hand-blended fibers to build depth and emotion without paint. Her process is slow and intentional, allowing texture to carry the story through layered surfaces that feel both delicate and powerful. Each piece captures subtle expressions and quiet emotional weight, inviting viewers to look closer and connect more deeply. By blurring the line between textile and fine art, her work challenges how portraiture is traditionally understood, proving that even the softest mediums can hold presence, intensity, and lasting impact.
Selected for our Faces exhibition, Lisa Matway creates bold abstract faces layered in vivid pinks, purples, and oranges that pulse with emotion. Her work is deeply rooted in her husband Jerry’s journey with Parkinson’s, exploring the gap between a face that appears still and the life that continues beneath it. Through exaggerated features, layered textures, and unapologetic color, she restores expression where the condition tries to take it away. Each piece begins with shared conversations, translating lived experience into visual form. What started as a personal outlet has grown into modart4pd,…
Nicole Garcia blends gothic and whimsy into bold, imaginative portraits and mixed media works. Her art celebrates strangeness, play, and fearless self-expression
Some paintings ask you to admire them. Sally Edmonds’ work asks you to look back. By removing every distraction, she brings you face to face with a bird as an individual present, aware, impossible to ignore. What seems simple at first becomes something else entirely: a moment of recognition, where a subject you’ve overlooked your whole life suddenly feels personal.
Time is almost up! Submit your work to Faces before November 25, 2025. This is a chance for women-identifying and non-binary artists to explore identity, expression, and emotion through faces whether portraits, abstract forms, or conceptual interpretations. Your art could inspire, move, and connect audiences across the globe.
Michele Leung bridges the structured worlds of engineering and finance with the expressive depth of oil painting, transforming discipline into creativity. Her work balances precision and emotion, building compositions with patience, intentionality, and layered brushwork that captures the quiet strength of her subjects. Pieces like The Unyielding Gaze reveal resilience that is internal and reflective, not performative. In her Hong Kong studio, classical music guides her process, helping her surrender to the rhythm of creation and focus deeply on each layer. Michele’s practice has taught her that meaning unfolds slowly, that…
We are thrilled to announce that The Places We Call Home is now live on the Women in Arts Network! This international virtual exhibition brings together women-identifying and non-binary artists from around the world to explore the many meanings of home. Through painting, photography, sculpture, mixed media, and digital art, each artist shares deeply personal stories of belonging, memory, and connection, inviting viewers to reflect on their own sense of home, wherever it may be.
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