Tag: slow art
Amélie Yerly creates oil portraits that unfold slowly, built through delicate layers of glazing that reveal depth, emotion, and quiet presence over time. Rather than relying on bold colour or immediate impact, her work invites viewers to lean in, discovering the subtle tensions and dualities each face holds. Influenced by patience and intuition, her process allows each painting to evolve gradually, capturing not just appearance but the inner life beneath it. Her figures exist in a space between strength and fragility, visibility and privacy, where emotion is suggested rather than declared.…
Heidi Weiss creates paintings that sit between memory and interruption, drawing from paused television stills and transforming them into fragmented, emotionally charged compositions. Cropping, distortion, and layered oil surfaces allow her to withhold information, leaving viewers inside unresolved moments that feel both familiar and distant. Influenced by her background in painting and fiber art, her process embraces repetition, slowness, and accumulation, building surfaces that echo the instability of memory itself. Rather than telling complete stories, her work focuses on what lingers, the quiet tension, the partial view, the feeling that something…
Martine Jansen doesn’t fill space, she creates it. Through layered pastel paintings and restrained sculpture, her work proves that silence, patience, and refusal to overexplain can carry more weight than noise ever could.
Pencil drawing asks for patience, focus, and a steady hand. In this feature, we look closely at five contemporary pencil artists who use graphite and coloured pencil to create work that rewards slow looking. From quiet portrait studies to carefully observed figures and animals, these artists show how much can be achieved with restraint, discipline, and long-term dedication to a single medium.
Watercolour has a gentle way of slowing us down. It asks us to look a little closer and let small moments guide the brush. In this article, we meet five women who each have their own relationship with the medium—whether they’re sketching gardens, carrying paint on the road, teaching beginners, or building a lifelong practice. Their styles differ, but they’re all connected by the simple act of noticing the world and returning to the page with care.
London based painter Niah McGiff speaks about how her work explores the space where the digital and the natural overlap. She shares how slowing down through painting helps her make sense of a fast moving world and how ideas of identity and connection continue to shape her thinking. The interview offers a thoughtful look into how she uses an ancient medium to ask questions about modern life.