Tag: Spring Through My Eyes
Through animals, stitching, and tactile materials, Hailey Harvey creates artworks that explore memory, vulnerability, transformation, healing, and belonging. Her practice brings embroidery, thread, charcoal, and ceramics together, creating surfaces that feel both intimate and physical. Inspired by the cross-stitch, embroidery, and crochet practices she learned from her grandmother, Hailey gradually developed stitching into an essential part of her fine art practice. Hares and lambs appear throughout her work as archetypal figures, carrying ideas of intuition, vulnerability, devotion, transformation, and hope. Through stitched marks, scars, seams, and layered surfaces, she gives physical…
Annie Richard’s intricate beadwork brings together nature, geometry, mathematics, memory, and a deeply meditative creative process. Since discovering bead embroidery in 2019, she has worked with thousands of individual glass beads to create detailed compositions featuring mandalas, circular forms, and geometric patterns. Inspired in part by her mother’s lifelong connection to beadwork, Annie sees mathematics and art as complementary ways of understanding the world. Her recent use of watercolour beneath the beadwork adds a more fluid and unexpected element to her otherwise precise practice.
Mairéad Robb's vibrant paintings grow from a deeply personal relationship with nature. Inspired by childhood memories of Ireland's landscapes, flowers, forests, and wild spaces, she transforms everyday details into expressive works filled with colour and feeling. For Mairéad, nature is more than a subject—it is a place of memory, comfort, healing, and belonging. Her paintings encourage us to slow down and notice the beauty we often pass without seeing, from changing moss and delicate leaves to sunlight moving through trees. Through bold colour and close observation, she creates work that celebrates…
Jane Bauman's creative practice brings together painting, photography, mixed media, found materials, and personal history. From her early experiences with art and the East Village art scene of the 1980s to her current studio practice, Jane has built a body of work shaped by curiosity, experimentation, and transformation. She often revisits old works, discarded materials, childhood images, and studio remnants, allowing fragments of the past to become part of something new. Her fascination with apophenia the human tendency to find patterns and meaning in unrelated things also plays an important role…