Tag: fine art
Amélie Yerly creates oil portraits that unfold slowly, built through delicate layers of glazing that reveal depth, emotion, and quiet presence over time. Rather than relying on bold colour or immediate impact, her work invites viewers to lean in, discovering the subtle tensions and dualities each face holds. Influenced by patience and intuition, her process allows each painting to evolve gradually, capturing not just appearance but the inner life beneath it. Her figures exist in a space between strength and fragility, visibility and privacy, where emotion is suggested rather than declared.…
Carola Helwing creates paintings that carry the memory of movement, shaped by her background in dance and deep understanding of the human body. Beginning with photographs of dancers, she transforms gesture into something more internal, capturing not just how movement looks, but how it feels from within. Her figures exist in a delicate balance between strength and fragility, where tension, control, and release unfold quietly across the canvas. Colour plays a central role, sometimes soft and atmospheric, other times bold and vivid, including pop tones that bring her work into a…
Daiana Bruj creates layered abstract paintings using fabric, collage, and upcycled materials that carry traces of lived experience. Often incorporating personal elements like worn textiles, her work builds surfaces that feel both intimate and deeply human. Colour leads her process, forming an emotional field before shapes and structure emerge, while each material adds its own history to the composition. Rather than depicting faces directly, her paintings explore presence through absence, capturing the warmth, memory, and quiet imprint people leave behind. Over time, her practice has shifted toward restraint, using fewer elements…
Faye Johansen’s practice begins with attention to nature, to material, and to the quiet traces things leave behind. Working across watercolour, collage, and handmade journals, she builds surfaces that carry both process and place. At the centre of her work is a powerful series of one hundred charcoal portraits of Indigenous children, drawn onto discarded books layered with torn maps, music notation, and fragments of text. Each material holds meaning, speaking to displacement, memory, and loss, while charcoal allows the faces to remain both present and fragile. Alongside this, her journals…
Heidi Weiss creates paintings that sit between memory and interruption, drawing from paused television stills and transforming them into fragmented, emotionally charged compositions. Cropping, distortion, and layered oil surfaces allow her to withhold information, leaving viewers inside unresolved moments that feel both familiar and distant. Influenced by her background in painting and fiber art, her process embraces repetition, slowness, and accumulation, building surfaces that echo the instability of memory itself. Rather than telling complete stories, her work focuses on what lingers, the quiet tension, the partial view, the feeling that something…
In this interview, Australian painter Alyssa Joy Black talks about how time spent sitting in her garden during a long period of illness slowly guided her back into painting. She shares how this shift changed her practice, what helped her start creating again, and what she hopes people notice when they stand in front of her work.
Deadline Extended! You now have until December 30th to submit your work for the “Faces” exhibition. This is your chance to share your unique vision, join a global community of artists, and have your work featured alongside extraordinary creations from around the world. Don’t miss the opportunity to be part of this inspiring showcase every face tells a story, and we want to see yours.
In this conversation, collage maker Julia Kohane talks about how her images take shape from scattered fragments and why she is drawn to moments when memory slips into imagination. She shares how her mix of hand cut elements and digital finishing keeps her process fluid, why different cities sparked different conversations around her work, and how studying psychology and philosophy still guides the questions she brings to each piece.
Albert Bierstadt (1830–1902) was a German-American painter best known for his sweeping, luminous landscapes of the American West. He was part of the Hudson River School tradition, but his work often goes even grander, with panoramic mountain scenes, dramatic skies, and a kind of romantic awe. Born in Solingen, Prussia, Bierstadt moved with his family to New Bedford, Massachusetts, when he was very young. In his early career, he returned to Europe to study painting in Düsseldorf, where he trained under artists linked to the Düsseldorf School. His real turning point…
Spend a moment with Texas painter and teacher Lesa Shaw as she talks about how a sketch on her phone, a few color notes, and a curious mindset become paintings filled with life and imagination. In this interview, she shares how she balances planning with instinct, why she enjoys switching between oil, acrylic, and alcohol ink, and how her students keep her thinking fresh.