Tag: Women in Arts Network
Amélie Yerly creates oil portraits that unfold slowly, built through delicate layers of glazing that reveal depth, emotion, and quiet presence over time. Rather than relying on bold colour or immediate impact, her work invites viewers to lean in, discovering the subtle tensions and dualities each face holds. Influenced by patience and intuition, her process allows each painting to evolve gradually, capturing not just appearance but the inner life beneath it. Her figures exist in a space between strength and fragility, visibility and privacy, where emotion is suggested rather than declared.…
Carola Helwing creates paintings that carry the memory of movement, shaped by her background in dance and deep understanding of the human body. Beginning with photographs of dancers, she transforms gesture into something more internal, capturing not just how movement looks, but how it feels from within. Her figures exist in a delicate balance between strength and fragility, where tension, control, and release unfold quietly across the canvas. Colour plays a central role, sometimes soft and atmospheric, other times bold and vivid, including pop tones that bring her work into a…
Constance McBride creates sculptural figures in clay that move beyond representation to explore what it feels like to exist within a body. Hand-building each piece from stoneware paper clay, she allows every surface to hold marks of pressure, time, and change. Her figures often appear folded, compressed, or suspended in moments of tension, reflecting both strength and vulnerability. Influenced by nature, memory, and lived experience, her work treats the body as a “dwelling place,” capable of holding both safety and confinement. Through cracks, textures, and layered materials, she embraces imperfection as…
Cristina Rodriguez creates collages that transform torn paper fragments into powerful reflections on women’s identity and lived experience. Working entirely by hand, she cuts, tears, and layers found images to build compositions that feel both chaotic and deeply intentional. Her process mirrors the fragmentation of memory and the complexity of personal and collective narratives, where meaning emerges through juxtaposition and reconstruction. Influenced by literature, art, and lived experience, her work moves between vulnerability and resistance, inviting viewers to find themselves within the layers. Rather than presenting complete or resolved images, her…
Daiana Bruj creates layered abstract paintings using fabric, collage, and upcycled materials that carry traces of lived experience. Often incorporating personal elements like worn textiles, her work builds surfaces that feel both intimate and deeply human. Colour leads her process, forming an emotional field before shapes and structure emerge, while each material adds its own history to the composition. Rather than depicting faces directly, her paintings explore presence through absence, capturing the warmth, memory, and quiet imprint people leave behind. Over time, her practice has shifted toward restraint, using fewer elements…
Faye Johansen’s practice begins with attention to nature, to material, and to the quiet traces things leave behind. Working across watercolour, collage, and handmade journals, she builds surfaces that carry both process and place. At the centre of her work is a powerful series of one hundred charcoal portraits of Indigenous children, drawn onto discarded books layered with torn maps, music notation, and fragments of text. Each material holds meaning, speaking to displacement, memory, and loss, while charcoal allows the faces to remain both present and fragile. Alongside this, her journals…
Heidi Weiss creates paintings that sit between memory and interruption, drawing from paused television stills and transforming them into fragmented, emotionally charged compositions. Cropping, distortion, and layered oil surfaces allow her to withhold information, leaving viewers inside unresolved moments that feel both familiar and distant. Influenced by her background in painting and fiber art, her process embraces repetition, slowness, and accumulation, building surfaces that echo the instability of memory itself. Rather than telling complete stories, her work focuses on what lingers, the quiet tension, the partial view, the feeling that something…
Jennifer Morgan transforms soft materials into strikingly lifelike portraits, using wool, beads, and hand-blended fibers to build depth and emotion without paint. Her process is slow and intentional, allowing texture to carry the story through layered surfaces that feel both delicate and powerful. Each piece captures subtle expressions and quiet emotional weight, inviting viewers to look closer and connect more deeply. By blurring the line between textile and fine art, her work challenges how portraiture is traditionally understood, proving that even the softest mediums can hold presence, intensity, and lasting impact.
Ligia Fascioni creates layered portraits that merge photorealism with hand-drawn floral and figurative elements over real urban textures. Using photographs of the Berlin Wall and torn street posters, she builds faces on surfaces rich with history and meaning. Each piece reflects the idea that identity is formed through layers—cultural, emotional, and historical. With a background in engineering and design, her work is both structured and deeply expressive. Her compositions transform decay into beauty, turning overlooked materials into powerful foundations. The result is art that invites viewers to look closer and uncover…
Selected for our Faces exhibition, Limor Dekel creates striking sculptural faces using cardboard and repurposed paper, transforming discarded materials into expressive works full of life and movement. Trained in ceramic design at Bezalel Academy, her practice blends craftsmanship with experimentation. What began during the pandemic as a practical solution for teaching evolved into a defining artistic language rooted in freedom and sustainability. Her layered forms carry human energy, gesture, and emotion, often inspired by her background in dance and observation. By elevating humble materials, she challenges how we value both art…