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Discover five controversial paintings by women artists that challenged artistic conventions and reshaped the history of art. From Artemisia Gentileschi to Frida Kahlo and Dana Schutz, explore the stories behind the works that sparked debate and continue to inspire conversations today.
The art market is changing faster than ever. Learn how galleries, collectors, online sales, pricing, social media, and multiple income streams shape today's art world, and discover practical strategies every artist can use to build a sustainable creative career.
Art is more than a creative practice. It's a lifelong journey of curiosity, growth, and discovery. Explore how making art teaches resilience, encourages continuous learning, and helps artists evolve both creatively and personally.
Starting art can feel intimidating, but every artist begins with uncertainty. This article explores why fear is a natural part of the creative process, how to overcome perfectionism, and why the courage to begin matters more than feeling ready. If you've been waiting for the perfect moment to create, this is your sign to start.
Raised between Japanese and Australian worlds, Nanami Cowdroy lets contradiction exist without resolution. Her black-and-white drawings fuse discipline with disorder, tradition with urban grit, producing images that feel precise, intense, and quietly unsettling.
Selected for our Faces exhibition, Tanya Shark’s work stood out because it bypasses surface identity. Through animals rendered with quiet intensity, she captures emotional states people recognize instantly but struggle to name. Her late return to painting isn’t a limitation it’s the reason her work carries such depth and restraint.
Laura Fox-Wallis works in silk and dye, a medium that demands both control and surrender. Her birds are built through layered colour, steam-fixed dyes, and years of technical discipline, yet shaped equally by chance. What sets her work apart is her willingness to let the material speak back—to allow bleeding, blooming, and unexpected movement to become part of the image. Nature in her work isn’t decorative; it’s symbolic of impact, imprint, and consequence. Each piece reflects a balance between intention and unpredictability, asking what remains after the moment has passed.
Martine Jansen doesn’t fill space, she creates it. Through layered pastel paintings and restrained sculpture, her work proves that silence, patience, and refusal to overexplain can carry more weight than noise ever could.
Selected for our Faces exhibition, Moreya’s work stood out for its intensity and refusal to comfort. Rooted in instinct, shadow, and transformation, her paintings reveal the parts of ourselves we’re taught to hide and dare us to look anyway.
While reviewing submissions for our virtual exhibition Birds, hosted on Women in Arts Network, Severine Pineaux’s work stopped us mid-scroll and not for the reasons you’d expect. Her paintings didn’t give us beautiful birds in realistic detail or poetic interpretations of flight. They gave us something far more unsettling: trees with human faces, animals merged with mechanical parts, beings that existed in multiple states at once. At first glance, you might think you’re looking at fantasy. But the longer you stay with her work, the more you realize she’s not painting…
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