Tag: memory in art
Isabel Aguado creates atmospheric landscape paintings that move between observation, memory, and abstraction, transforming hills, valleys, grasses, and distant terrain into emotional spaces filled with rhythm and movement. Growing up surrounded by countryside and mountains deeply shaped the way she experiences nature, teaching her to notice shifting light, changing colours, and the quiet structures hidden within the land itself. Working from her own photographs, she begins with real places before allowing gesture, loosened brushwork, and layered colour to gradually reshape the image into something more intuitive and emotionally charged. Earthy ochres,…
Anna Klatt creates atmospheric landscapes that feel less like physical places and more like emotional states suspended between memory, softness, and transformation. Moving away from strict realism and technical perfection, her work embraces scratches, layers, blurred forms, and unfinished surfaces that hold traces of vulnerability and lived experience. Influenced by intuition, photography, and personal reflection, she paints from emotional memory rather than direct observation, allowing mood and atmosphere to guide the image. Collections like Nature Dreaming, Fragments of Becoming, and Winter Calm reveal her interest in honesty over perfection, where landscapes…
Jo Morris creates luminous dreamlike landscapes that blur the line between memory, atmosphere, and abstraction. Inspired by a lifetime spent moving through deserts, coastlines, mountains, and wide Australian skies, her paintings no longer document specific places but instead capture the emotional feeling of being within them. Working intuitively with water-based inks, watercolours, sprays, and pigments, she builds soft horizons and glowing layers where blues dissolve into purples, pinks into oranges, and landscapes drift gently between reality and imagination. Rather than painting directly from photographs, Jo works from memory, allowing emotion, light,…
Valeria Ocean creates luminous oil paintings that transform waves, reflections, and shifting light into emotional landscapes suspended between realism and abstraction. Rooted in childhood memories of annual trips to the Black Sea, her connection to water became less about depicting a place and more about expressing inner emotional states through movement, atmosphere, and texture. Working with a deliberately limited palette, often just four or five tubes of paint, she builds meditative surfaces where subtle shifts in light and color carry a remarkable sense of depth and calm. Rather than painting wide…
Cristina Rodriguez creates collages that transform torn paper fragments into powerful reflections on women’s identity and lived experience. Working entirely by hand, she cuts, tears, and layers found images to build compositions that feel both chaotic and deeply intentional. Her process mirrors the fragmentation of memory and the complexity of personal and collective narratives, where meaning emerges through juxtaposition and reconstruction. Influenced by literature, art, and lived experience, her work moves between vulnerability and resistance, inviting viewers to find themselves within the layers. Rather than presenting complete or resolved images, her…
Daiana Bruj creates layered abstract paintings using fabric, collage, and upcycled materials that carry traces of lived experience. Often incorporating personal elements like worn textiles, her work builds surfaces that feel both intimate and deeply human. Colour leads her process, forming an emotional field before shapes and structure emerge, while each material adds its own history to the composition. Rather than depicting faces directly, her paintings explore presence through absence, capturing the warmth, memory, and quiet imprint people leave behind. Over time, her practice has shifted toward restraint, using fewer elements…
Faye Johansen’s practice begins with attention to nature, to material, and to the quiet traces things leave behind. Working across watercolour, collage, and handmade journals, she builds surfaces that carry both process and place. At the centre of her work is a powerful series of one hundred charcoal portraits of Indigenous children, drawn onto discarded books layered with torn maps, music notation, and fragments of text. Each material holds meaning, speaking to displacement, memory, and loss, while charcoal allows the faces to remain both present and fragile. Alongside this, her journals…
Heidi Weiss creates paintings that sit between memory and interruption, drawing from paused television stills and transforming them into fragmented, emotionally charged compositions. Cropping, distortion, and layered oil surfaces allow her to withhold information, leaving viewers inside unresolved moments that feel both familiar and distant. Influenced by her background in painting and fiber art, her process embraces repetition, slowness, and accumulation, building surfaces that echo the instability of memory itself. Rather than telling complete stories, her work focuses on what lingers, the quiet tension, the partial view, the feeling that something…
If you’ve been wondering whether your art belongs here, consider this your reassurance: it does. And more importantly, it’s wanted. Every submission so far has expanded this exhibition in ways we never expected, but there is still a space that only your perspective can fill. So if a place has shaped your heart, your imagination, or your identity, share that story through your work. Submit now, and let your landscape become part of a growing global dialogue about memory, meaning, and the worlds we carry within us.